Fuyugomori / 冬篭り : Issa’s Haiku of Winter Seclusion

ZP_A light snowfall 2_Toronto Canada December 13th 2013

Toronto, Canada, December 2013…

The early arrival of not cold but unusually cold temperatures we associate with January – normally – may have people feeling sad – or feeling S.A.D. (Seasonal Affective Disorder).  Well, poetry’s been there before; witness these Haiku composed two hundred years ago…

.     .     .

Kobayashi Issa / 小林 一茶 (Japanese poet and lay Buddhist priest, 1763-1828)

.

no nashi wa tsumi mo mata nashi fuyugomori

no good deeds
but also no sins…
winter isolation.

(1819)

.

asana-asana yaki daiko kana fuyugomori

morning after morning –
damn roasted radishes –
winter seclusion!

(1794)

.

fuyugomori akumono-gui no tsunori keri

winter seclusion…
on a foul food eating
binge.

(1821)

Foul food” may have referred to cicada pupae or “bee worms” but might also have meant beef – something prohibited by Issa’s Buddhism.

.

he kurabe ga mata hajimaru zo fuyugomori

the farting contest
begins again…
winter confinement.

(1816)

.

hito soshiru kai ga tatsunari fuyugomori

another party held
to badmouth other people –
winter confinement.

(1822)

.

sewazuki ya fushô-bushô ni fuyugomori

the busy-body reluctantly
begins…
his winter seclusion.

(1825)

.

neko no ana kara mono wo kau samusa kana

buying from the peddlar
through the cat’s door…
it’s cold!

(1822)

.

fuyugomoru mo ichi nichi futsuka kana

one more day
of winter confinement…
makes two.

(1824)

.     .     .     .     .

Gabi Greve writes:

Fuyugomori / 冬篭り means “winter seclusion/isolation/confinementin Japanese.

In rural Japan, especially in the Northern areas along the coast of the Sea of Japan, the winter was long and brought enormous amounts of snow. There was nothing much to do but wait it out. Farmhouses were difficult to heat and the family huddled around the hearth – iroriin the kitchen. Great endurance was required during such winter seasons.


Fuyugomori also may refer to cold-season hibernation – the habit of bears – and the “fantasy” of numerous Canadians at this time of year!

.

ZP_A light snowfall_Toronto Canada December 13th 2013

.     .     .     .     .


Primera nieve de la estación: Matsuo Bashō

ZP_First snow of the season_Toronto Canada_November 23rd 2013.

Matsuo Bashō / 松尾芭蕉 (1644-1694, poeta del haiku del período Edo de Japón)

.     .     .

Después de los crisantemos, / a excepción del largo nabo, / no hay nada.

.

A la intemperie / se va infiltrando el viento / hasta mi alma.

.

Sólo en invierno / un color tiene el mundo / y un son el viento.

.

Ahora, salimos / para disfrutar de la nieve … hasta que / resbalón y caída.

.

Hasta un caballo / Mis ojos se detienen en ello / Nieve por la mañana.

.

Sol invernal. / Montada en el caballo / mi sombra, helada.

.

El cuervo horrible / ¡qué hermoso esta mañana / sobre la nieve!

.

Hielo nocturno / me despierto / mi cántaro estalla.

.

La nieve que cae… / ¿es del otro / o de este año?

.

A un amigo que entró en su choza luego de una nevada”:

¿Prendes el fuego? / Te mostraré una gran / bola de nieve.

.     .     .

Viajeros en La Nieve por Hokusai, pintor y grabador japonés_1760-1849

Viajeros en La Nieve por Hokusai, pintor y grabador japonés_1760-1849



Oración a La Virgen de Guadalupe: Siempre seré tuya – Amén.

ZP_El chichimeca San Juan Diego se llamó en la lengua indígena de nahuatl Cuauhtlatoa o Cuauhtlatotzin que quiere decir: él que habla como águila_San Juan Diego con la tilma_Mary Jo Martin_1998

ZP_El chichimeca San Juan Diego se llamó en la lengua indígena de nahuatl Cuauhtlatoa o Cuauhtlatotzin que quiere decir: él que habla como águila_San Juan Diego con la tilma_Mary Jo Martin_1998

.     .     .

Una nueva oración dedicada a La Guadalupana se estrenó en el 12 de diciembre, 2011, cuando Benedicto XVI presidió la Misa en la Basílica de San Pedro, Roma – por la independencia de los pueblos de América Latina. La oración nace para hermanar, identificar y unir a los latinoamericanos bajo la devoción de la Virgen de Guadalupe…

Oración a Nuestra Señora de Guadalupe”
.
Virgen María de Guadalupe,
Madre del verdadero Dios por quien se vive.
.
En San Juan Diego, el más pequeño de tus hijos,
Tú dices hoy a los pueblos de América Latina:
‘¿No estoy yo aquí que soy tu Madre?
¿No estás bajo mi sombra?
¿No estás por ventura en mi regazo?’
.
Por eso nosotros con profundo agradecimiento
reconocemos a través de los siglos
todas las muestras de tu amor maternal,
tu constante auxilio, compasión y defensa
de los moradores de nuestras tierras,
de los pobres y sencillos de corazón.
.
Con esta certeza filial,
acudimos a ti, para pedirte,
que así como ayer vuelvas a darnos a tu Divino Hijo,
porque sólo en el encuentro con Él
se renueva la existencia personal
y se abre el camino para la edificación de una
sociedad justa y fraterna.
.
A ti, ‘Misionera Celeste del Nuevo Mundo’,
que eres el rostro mestizo de América
y luminosamente manifiestas su identidad, unidad y originalidad,
confiamos el destino de nuestros Pueblos.
.
A ti, Pedagoga del Evangelio de Cristo,
Estrella de la Nueva Evangelización,
consagramos la labor misionera
del Pueblo de Dios peregrino en América Latina.
.
¡Oh Dulce Señora!,
¡Oh Madre Nuestra!,
¡Oh siempre Virgen María!
¡Tu presencia nos hace hermanos!

.
Acoge con amor esta súplica de tus hijos
y bendice esta amada tierra tuya
con los dones de la reconciliación y la paz.
.
Amén.

.     .     .

Oración anónima a La Guadalupana

.

Mi Madre de Guadalupe, Señora de Tepeyac – misteriosa, dulce y firme – infinitas gracias te doy por quedarte conmigo – y entre mi familia, vecinos, compañeros, aun en la vida de un desconocido. Quedas aquí en el mundo difícil – aquí entre nosotros – para bendecirnos y acompañarnos en el camino pedregoso de hoy día hasta la avenida del futuro …Enséñanos a encaminarnos siempre a tu hijo Jesús y llévanos bajo tu manto a cuantos te llamamos y necesitamos…También cuando yo estoy solitario, quizás sin amigo…Es cuando te llamo y te necesito más…Y me ayudas en mi noche confundida, en mi alba a veces sombría…¡No quiero cumplir mi “tres por veintena, y diez” como un hombre de alma dura!  Me conoces – me entiendes – en mi corazón.  Cariñosa y tan sabia eres, Madre morenita mía.  Y siempre seré tuya – Amén.

.     .     .

9 - 12 de diciembre, 1531_Juan Diego en Tepeyac con la tilma de maravillas

9 – 12 de diciembre, 1531_Juan Diego en Tepeyac con la tilma de maravillas

.

Mi Lupita” (versión de la cantante mexicana, Lucero)

.

Lupita, dulce madre mía,
bajaste del cielo un día
y hablaste con Juan Diego,
niña mía…

.
y todos te llamamos Santa María…

Lupita, eres un relicario echo por mucho primor
Tus ojos son dos luceros y de oro es tu corazón
Tus ojos son dos luceros y de oro es tu corazón
.
Lupita, eres una rosa la más hermosa del Tepeyac
y te conviertes en madre nuestra para podernos cuidar
y te conviertes en madre nuestra para podernos cuidar
.
Lupita, eres la madre de dios
Los mexicanos te veneramos con fervor
Mamita, cúbrenos con tu manto y danos tu bendición
Mamita, cúbrenos con tu manto y danos tu bendición.

.     .     .

Escuchar la canción:  http://youtu.be/AEQHusulF8Y

.     .     .     .     .


Poemas de Amor y Deseo: Alfredo, Jorge, Javier, Odette, Minerva y Kenny

Uno de los hombres que me amaron...

Uno de los hombres que me amaron…

Alfredo Fressia (nacido en 1948, Montevideo, Uruguay / São Paolo, Brasil)

Bésame Mucho”
.
Así: él, que tanto me había amado,
se casó con ella
pero me dejó por otro.
.
¿Qué te hice después
que no me olvido?

.

Bello Amor”

.
Bello amor, bellos amantes,
porque el amor no pasa
de un memorial de hombres que me amaron,
el sexo idéntico, idéntico
el ancestro conjugado,
bello y estéril, bello
porque estéril, porque destinado
al memorial de hombres que me amaron
de antes, sin después, al otro
lado de sus vidas, sin otro
rostro que el insomne
habitante del deseo, se consume
de belleza antes, siempre antes de los hombres,
el memorial de hombres que me amaron.

.

Eterna”

.
Qué fiesta el gesto de tu cuerpo, muchacho,
trampolín para fuera de los huesos,
salta tu gozo, suelto
me asalta, te rapta por ancestros
implacables de piel y sudor y esta cerveza
de los gestos, este salto a venideros del deseo.
Qué fiesta del arco y de los cuerpos,
muchacho, qué marea de música y de celo
de vuelta repitiéndonos a tiempo
de estertores, a eternos en el cuerpo
místico del gozo, salados hijos
de los hijos de tu gesto.
.

Memoria”

.
¿No me desarmo yo de la condena, no abandono
la trama de los huesos,
no se me erizan esponjas en el dorso,
muchacho, curva aguda del mundo
y el deseo, subiéndola incansable
por tus muslos, la muerte provisoria
que no acaba?
.

Travestí
.
Ángel barroco, siempre
el muchacho agrietado detrás de las violetas
estira la punta del deseo
hasta tus dedos. Aquí una calavera
estalla en tu sudor,
una mano judía te tuerce del destino,
se durrumba, grita un agorero
tu horóscopo de miedo
y se destruye. Orfebre de la nada:
un sudor nuevo, casi nada
en tus dedos.


.


“É
l se muere”

.
Adiós. El
se muere y ya no soplo, no
tengo costillas, muere
de verano gigante,
de perla salvaje que se muere,
de rosa barroca que estalla como un templo
y yo no puedo
reclamar los secretos que incendié,
las torres que alcé para su pétalo,
este perfume a incienso
de rosa de
nada.
Adiós. El
se muere. Se desvanece abolida
su larga dinastía. Ah, se muere
la gloria, la serpiente sabia y medieval del mundo
muere, depone su imperio cada miembro.
Derrumbado castillo, cuerpo
ardido y amado. Adiós.
Dura ley de un verano. El
se muere.

.

...y ÉL – también –...

…y ÉL – también –…

...desapareció de mi vida.

…desapareció de mi vida.


Santo Domingo Mulato”

.

La Iglesia y la Cárcel Real bajo la luna,

souvenirs de la Conquista, espectros íntimos

del siglo XVI en la Hispaniola.

El me esperó tras el Alcázar de Colón

con el viejo walkman al oído

y una flor de caoba para la suerte.

Apresé su carne

y su alma

en mi boca,

mi hostia

sucia y sagrada.

Después me fui por la calle del Conde,

limpias las comisuras de los labios.

Un tambor escapaba del centro de la isla.

. . . . .

Jorge H. Farfán

Anoche”

.

Anoche dormía,
soñaba que tu eras mi cielo,
plagado de estrellas y cometas,
plagado de mil luces que formaban
un millar de reflejos en tu ojos.
soñaba que tu eras eterna, te soñaba
suave, libre, ardiente.
Anoche dormía y con ello soñaba,
Anoche dormía y sentía en mi pecho
tu cara, tus pechos y tus manos,
tu cuerpo, tus sentimientos,
tu ser, lleno de exquisitos misterios.
Anoche brinqué al sentir tu roce en mi piel,
anoche eras una luz que iluminaba mi silencio.
Eras tu, era yo, éramos los dos, éramos nosotros,
tu y yo, uno sólo, por un momento infinito,
fui tuyo, fuiste mía, fuimos uno sólo.
Tu piel era mi piel, tu sudor confundido con el mío,
tu pelo enredado en mis manos, nuestros cuerpos
enredados en una sola y silenciosa forma, bella,
llena de matices, plagada de mil luces y colores.
Anoche, creí dormir, profundamente dormido,
creí que sólo eras una fantasía, creí morir.
Anoche, tu mi cielo, llenaste de alegría mi vida,
eras tu, éramos nosotros, éramos un cielo
una vez más y para siempre,
plagado de estrellas y cometas.
dedicado a ti que llenas mi vida de alegría.

. . . . .

Javier Mora (nacido en 1983, Bayamo, Cuba)

Nuestro Encuentro”

.
El día que te bese en nuestro encuentro
subraya en rojo un blanco calendario
no será un beso solo imaginario
sino de un terremoto el epicentro.
.
Seré saeta y tú serás el centro
será tu cuerpo dulce itinerario
será tu amor vital y solidario
veraz así lo sueño yo por dentro.
.
Ese día que pueda yo tenerte
solo aspiro a mi amor poder yo darte
besándote poder entretenerte

con abrazos poder yo consolarte
adivinando cuanto quiero verte
seré refugio y tú mi baluarte.

. . . . .

Odette Alonso (Cuba, 1964)

Moriremos de Amor”

.

Todos los vientos llegan como una manotada

y yo cubro tu cuerpo lo incorporo

quiero aliviarme en ti.
Hace un segundo la luna era distinta
y no había ese susto en tu mirada.
Algo nos viene encima
ese sordo rumor es un presagio.
Cierra los ojos pronto amiga mía.
Es el amor que llega.

. . . . .

Minerva Salado (La Habana, Cuba)

La Trama”

.

Amo el amor que viertes sobre mí

con su carga de sal y de mareas

amo la dulce huella de tu boca

encima de mis manos

nueces de ti recibo

toco tus pies desnudos en el prado

y en silencio los amo

en tus hombros cruzados por el viento

pongo gotas de lluvia cual zumo de limón.

Pienso en el tiempo que estaremos juntas

y creo mientras pienso en que la eternidad

nos acompaña.

Mi cuerpo teje surcos para tí.

Amo la lágrima que surge de tu sueño

y la llamo simiente

líquido integrador del infinito.

. . . . .

Kenny Rodríguez (Quezaltepeque, El Salvador)

.

Este deseo diario

de rascar tu espalda

tibia y sudorosa,
de brillar en tus ojos
quietos y profundos,
de amarte salvajemente
hasta deshilachar
las soledades,
de ruborizarme
con plena conciencia
cuando encuentro
mi desnudo
entre tus labios,
será mi compromiso
único y vital.

.

Quiero” (a FVCH)

.


Navegar sobre tu espalda
dulce y tibia
guardar cada lunar entre mis dedos;
saborear la sonrisa de tus ojos
que hipnotizan a su encuentro,
quiero recorrer tu cuerpo,
descubriendo todos sus rincones
tus relieves, tus planicies, tus cuevas…
conociendo tus olores, sabores, sonidos, detalles…
ganándome el derecho de vivir allí
explayada en todo su ancho,
plena…
Vivirlo a tu cuerpo
que me asombra, que me gusta
como tu rostro sonriente.

.     .     .     .     .


Poemas eróticos: Carlos, Eliana, Ivan, Zé, Noel, Patricia e Natália

Couple in an intimate embrace

Carlos Drummond de Andrade

Não quero ser o último a comer-te”

.

Não quero ser o último a comer-te.
Se em tempo não ousei, agora é tarde.
Nem sopra a flama antiga nem beber-te
aplacaria sede que não arde
.
em minha boca seca de querer-te,
de desejar-te tanto e sem alarde,
fome que não sofria padecer-te
assim pasto de tantos, e eu covarde
.
a esperar que limpasses toda a gala
que por teu corpo e alma ainda resvala,
e chegasses, intata, renascida,
.
para travar comigo a luta extrema
que fizesse de toda a nossa vida
um chamejante, universal poema.

. . .

Eliana Mora

O caminho das nuvens”

.

Senti na pele
os dedos teus
colando em mim
um surfe estranho
a voltejar
em minhas ondas
olhando enfim para as
paisagens tão
redondas
ouvindo o som
do que de longe
já conheces
.
E tomas posse
do terreno
demarcado
que amanhece
todo dia
em cama fria
Porém que túmido
servil
e orvalhado
sabe mostrar das noites
frias
resultado
.
Terreno morno
que se tranca a esperar
que possas vir
[de alguma nuvem
despencar]
Para sorver na noite
a fonte
do esplendor
.
Colhermos juntos
tão sentido
e doce
.
amor

. . .

Eliana Mora

Poeminha viscoso”

.

Em meio a teu visgo
me sinto emplastrada
feliz e cansada

. . .

Ivan Miziara

A concha”

.

Da concha
rubra
retiro
fluida
alva
tuas líquidas
sementes
que trago
entredentes
.
Na concha
rubra
mergulho
com a ponta
do arpão
que perturba
e escuta
teu íntimo
rumor
.
Na concha
rubra
busco
a pérola
úmida
ardente
que me faz
ser
quem sou

. . .

Zé do Neca

Homenagem ao teu sexo”

.

Quando nossos corpos se tocam
Mesmo por cima da roupa
Sinto o calor que vem do teu corpo
Misturando ao calor do meu
São gotas do suor
Gotas de quem esperou por esse momento
Agora, as roupas vão caindo
Revelando o sexo nervoso
Sexo endurecido
Sexo umedecido
Mãos que seguram sexo
Mãos que penetram sexo
Línguas que lambem
Sexo que arrepia
Sexos que se encontram
Enfim
Sexo que agasalha
Sexo que desbrava
Acabamos
Me deito sobre teus pêlos
Sinto o cheiro do meu sexo,
No teu
Sinto o teu cheiro misturado
Ao meu
Cheiro do gozo supremo
Cheiro do sexo
Que eu adoro.

. . .

Noel Ferreira

ABC erótico”

.

Abre-te!
Beija-me!
Cobre-me!
.
Amar-te é volúpia
Brincar é malicia
Carícia é pingo de mel.
.
Ai!
Basta!
Cala-te!
.
Abraço-te, queres?
Belisco-te, gostas?
Colo-me a ti, einh?
.
Ah!
Biscoito
Crocante!
.
Às nuvens subi
Bebendo o teu néctar
Crescendo-me em ti!
.
Ata-me!
Bebe-me!
Come-me!
.
Agora imparável
Brutalmente bom
Cada vez melhor!

. . .

Patrícia Clemente

Máquina”

.

o ronco de seus motores
me acende
te sinto aquecer a pele
nos dentes
chama
quem chama
a máquina de chama
a máquina me acende
máquina do gozo.
nos dentes.

. . .

Natália Correia

Cosmocópula”

.

I

Membro a pino
dia é macho
submarino
é entre coxas
teu mergulho
vício de ostras

II

O corpo é praia a boca é a nascente
e é na vulva que a areia é mais sedenta
poro a poro vou sendo o curso da água
da tua língua demasiada e lenta
dentes e unhas rebentam como pinhas
de carnívoras plantas te é meu ventre
abro-te as coxas e deixo-te crescer
duro e cheiroso como o aloendro.

.     .     .     .     .


“Sentient beings can get completely lost in it”: the erotic poems of Ikkyū

Ikkyu and a Lady of Pleasure

Ikkyū / 一休宗純 (Zen Buddhist monk, 1394-1481, Kyoto, Japan)

.

It is nice to get a glimpse of a lady bathing—
you scrubbed your flower face and cleansed your lovely body
while this old monk sat in the hot water
feeling more blessed than even the emperor of China.

.

A woman is enlightenment when you’re with her and the red thread
of both your passions flares inside you – and you see.

.

A sex-loving monk, you object!
Hot-blooded and passionate, totally aroused.
Remember, though, that lust can consume all passion,
Transmuting base metal into pure gold.

.

Ten days in this temple and my mind is reeling.
Between my legs the red thread stretches and stretches.
If you come some other day and ask for me,
Better look in a fish stall, a sake shop, or a brothel.

.

Follow the rule of celibacy blindly, and you are no more than an ass;
Break it and you are only human.
The spirit of Zen is manifest in ways countless as the
sands of the Ganges.

.

With a young beauty, sporting in deep love play;
We sit in the pavilion, a pleasure girl and this Zen monk.
Enraptured by hugs and kisses,
I certainly don’t feel as if I am burning in hell.

.

A Man’s Root

Eight inches strong, it is my favourite thing;
If I’m alone at night, I embrace it fully—
A beautiful woman hasn’t touched it for ages.
Within my
fundoshi there is an entire universe!

Fundoshi, traditional Japanese underwear, is a loin cloth made of one length of white linen or cotton.

Fundoshi, traditional Japanese underwear, is a loin cloth made of one length of white linen or cotton.

 

A Woman’s Sex

It has the original mouth but remains wordless;
It is surrounded by a magnificent mound of hair.
Sentient beings can get completely lost in it.
But it is also the birthplace of all the Buddhas of the
ten thousand worlds.

.

The Dharma Master of Love

My life has been devoted to love play;
I’ve no regrets about being tangled in red thread from
head to foot,
Nor am I ashamed to have spent my days as a
Crazy Cloud—
But I sure don’t like this long, long bitter autumn of
no good sex!

.

To Lady Mori with Deepest Gratitude and Thanks

The tree was barren of leaves but you brought a new spring.
Long green sprouts, verdant flowers, fresh promise.

.

(Mori, a blind minstrel, was 77-year-old Ikkyū‘s young mistress.)

.

Pleasure, pain, are equal in a clear heart.
No mountain hides the moon.

.

I’m up here in the hills starving myself
But I’ll come down for you.

.

I think of your death, I think of our touching,
My head quiet in your lap.

.

Suddenly nothing but grief
So I put on my father’s old ripped raincoat.

.

Translations from the Japanese: John Stevens, Stephen Berg

.     .     .     .     .


“Bird-songs accompany our laughter”: poems of love and desire

Yellow Hibiscus

Suzanne Dracius (born 1951, Martinique)

Women’s Wicked Desires”

.

Women too revel in riding

Thighs spread apart

Seated astride shamelessly

As they say in polite language…

À la Andromaque

That’s why you won’t talk about it

That’s how you will be happy to

Do all of these things you are saying

Promptly at dawn

All of these honeyed things

Forbidden in theory

As they say

Women’s wicked desires

What can befall us

By doing all that you are asking for

If we do them for fun

Since today’s strong woman

Won’t be abused for it

I do hope you can grasp

How I defy the kind of feminine prudishness

That wants to hold me back

When I dare perform

The saucy somersaults you ask

Even though I know I shouldn’t

Since I’m a well-bred young lady

As they say

Now I am the wicked one

And I am asking you to do all these juicy things

And sing my song in tune with me

As they say

A woman’s wicked desires.

Do I really need to leave my senses

For us to enjoy some pleasure

The wild way

With dazzling unbridled wantonness

With cuddling which was not done openly

The snuggling that we see today

Wickedly as they say

With a frenzy to swoon

To women it is pleasure

To ride astride

As in the frescoes of Pompeii

Thighs wildly spread apart

Soaking your potent organ

Just like on Rue d’Enfer in Saint-Pierre

Doing all these forbidden things

Truly paradisiacal

Women’s wicked desires

To put myself in all the positions you ask

In mystical cries

Ho misticri, krik krak monkey!

To offer myself in all these forbidden positions

And krik and krak

And krik krak

So the audience doesn’t fall asleep

Poetically

Philosophically

Oh Lord! Dear, dear, dear Lafilo!

I’m taking to flying

I’m stepping out

Running like a maroon

To get myself off

Epicurean Caribbean style.

.

Translation from the Creole: Hanétha Vété-Congolo

. . .

Here is the original poem – in Creole:

.

Suzanne Dracius

Fantasm Fanm”

.

Pou fanm tou sé bèl plézi

Di monté adada osi

An mannyè kal…

Ifourchon

À la Romaine, à l’Andromaque”

Sé pousa ou pé di hak

Sé konsa ou ké kontan

Fè tout sé bagay ou ka di

O pipiri

Tout sé bagay ki intèwdi

An téyori

Kon yo ka di

An fantasm fanm

Sa ki pé rivé nou davré

Di fè tousa ou ka mandé

A sipozé ki nou ka fèy

Dépi nou fè sa épi

Ti bren foli

Puis fanm jodi

Pé ké modi

Mwen ka espéré kou pé konpwann

Sa ki sé kalté pidè fanm

Lè man noz fè

Sa ou ka di-a

mèm si man sav

Ki fo pa fèy

An jèntifi

De bonnfanmi

Kon yo ka di

Atjolman sé mwen ki bandi

Ek sé mwen ké mandé-w li

An mélodi

An narmoni

Kon yo ka di

An fantasm fanm

Es fok tèt an mwen pati

Pou nou pwan titak plézi

An vakabonnajri

Kon yo ka di

An féyéri

An barbari

Pichonnaj ki pa té ka fèt an gran lari

Dousinaj ki nou ka vwè jodi

An pitènri

Kon yo ka di

An frénézi

An malkadi

Pou an fanm sé bèl plézi

Di monté adada osi

Kon sou lérwin Ponpéyi

Alabodaj an bèl péyi

À l’Andromaque, à la Romaine”

Pa an sèl wozé pijé grènn

An mannyè pakoté Senpyè

An mannyè a lari Lanfè

Fè tout sé bagay intèrwdi

An paradi

Fantasm fanm

Fè tout sé bagay man ka di

An mistik kri

Yé mistikri

Fè krik krak

Kon yo ka di

Yé krak yé kri

An filozofi

Pou lakou pa domi

An poyézi

An malapri

An malfini

Lafilo!

Lavol an pri

Épi kouri

Caribéenne épicurie –

. . .

Obediah Michael Smith(born 1954, Bahamas)

Bee Mad” (for L.M.M.)

.

how can you withhold from me

where your thighs meet

like honey in the crotch of a tree

and not expect me to buzz as angrily as a bee.

. . .

Chapel Steeple” (for M.B.)

.

I’ve had my head between her legs,

where her thighs meet

bushy place to ramble wild,

berries growing by the spring I make flow

in this I wash my face to wake myself

face in the Bible she opens to let me read

to convert me to true love, to the truth of love,

to let me taste the fruit of love.

Love is Grand 1_Image from Saddi Khalid PhotoLove is Grand 2Love is Grand 3

Ken Forde

Nectar”

.

In this tome

of silence,

I will enter

your quietude;

have you come

with me

to a place

of red and yellow bloomings,

humming birds

their feathered flash

tongued nectar

sweet and fragrant.

With you

I will leap

across the distance

to this place

of caimate purples

and sapodilla browns,

our skins caressed

by warm fingered sun.

Bird-songs accompany

our laughter.

. . .

Colin Robinson

Loosening my Tongue” (for Reggie)

.

is an old

metaphor is a young

man you

are an old

metaphor loosening my tongue

flicks to the back of a youthened

mouth

a second set of teeth

yawns

spit

wide

flies hungry

watering for a metaphor that I can swallow whole

that will go

somewhere

that will last a whole poem

something hard and round and risky

musky ancient hairy language

reaches back

coughing up cotton

congealed in

big blue balls

of speech

old stiffened yellow rubber socks

policy       proposal       political       position       posture

place sex into my mouth again

unsheathe, untangle old poetry

poke at my prostate

full of old fragments

waiting for your big hands

to rub it      soothe

a gasping warm white

stanza flows between my legs

into a purposeful brown

man

hole

envelopes my tongue

young

man you

are a

metaphor on the tip of my tongue

making my poems come

whole again

. . .

The above poems are © their respective authors:

Suzanne Dracius: “Fantasm Fanm”

Obediah Michael Smith: “Bee Mad”, “Chapel Steeple”

Ken Forde: “Nectar”

Colin Robinson: “Loosening my Tongue”

.     .     .     .     .


Poèmes érotiques: George, Georges, Aimé, Cilick, Abdellatif, Yfig, Christian et Sophie

Femme nue au collier_Nude woman with necklace_Pablo Picasso, 1968

Femme nue au collier_Nude woman with necklace_Pablo Picasso, 1968

George Sand (Amantine Aurore Lucile Dupin, 1804-1876)

Lettre à Alfred de Musset”

.

Je suis très émue de vous dire que j’ai
bien compris l’autre soir que vous aviez
toujours une envie folle de me faire
danser. Je garde le souvenir de votre
baiser et je voudrais bien que ce soit
là une preuve que je puisse être aimée
par vous. Je suis prête à vous montrer mon
affection toute désintéressée et sans cal-
cul, et si vous voulez me voir aussi
vous dévoiler sans artifice mon âme
toute nue, venez me faire une visite.
Nous causerons en amis, franchement.
Je vous prouverai que je suis la femme
sincère, capable de vous offrir l’affection
la plus profonde comme la plus étroite
amitié, en un mot la meilleure preuve
que vous puissiez rêver, puisque votre
âme est libre. Pensez que la solitude où j’ha-
bite est bien longue, bien dure et souvent
difficile. Ainsi en y songeant j’ai l’âme
grosse. Accourez donc vite et venez me la
faire oublier par l’amour où je veux me
mettre.

. . .

Georges Bataille (1897-1962)

Je mets mon vit contre ta joue”

.

Je mets mon vit contre ta joue
le bout frôle ton oreille
lèche mes bourses lentement
ta langue est douce comme l’eau

.

ta langue est crue comme une bouchère
elle est rouge comme un gigot
sa pointe est un coucou criant,
mon vit sanglote de salive

.

ton derrière est ma déesse
il s’ouvre comme ta bouche
je l’adore comme le ciel
je le vénère comme un feu

.

je bois dans ta déchirure
j’étale tes jambes nues
je les ouvre comme un livre
où je lis ce qui me tue.

. . .

Aimé Césaire (1913-2008, Martinique)

Bateke”

.


De ton corps farineux où pompe l’huile acajou des rouages précieux

de  tes  yeux à marées

de ton sexe à crocus

de ton corps de ton sexe serpents nocturnes de fleuves et de cases

de ton sexe de sabre de général

de l’horlogerie astronomique de ton sexe à venin

de ton corps de mil de miel de pilon de pileuse

d’Attila de l’an mil casqué des algues de l’amour et du crime.

. . .

Cilick (née en 1936)

Sur mon clicli”(1975)

.
Sur mon clicli, mon clitoris,
Il jouait de la mandoline.
A gros têtons qui criaient bis,
Vibrait ma caisse un brin câline.
.
La chair de poule, en tournevis,
Titillait ma toison coquine.
Sur mon clicli, mon clitoris,
Il jouait de la mandoline.
.
Sitôt qu’il chantait mon pubis
Dégoulinant de trappistine*,
Moi, je flûtais, pine et babine,
Pour qu’il gueule un de profundis,
Sur mon clicli, mon clitoris.

.

* liqueur fabriquée par les moines trappistes

. . .

Abdellatif Laâbi (né en 1942, Maroc)

Les Fruits du Corps”(2003) – Extrait

.

Misérables hypocrites
qui montez au lit
du pied droit
et invoquez le nom de Dieu
avant de copuler
De la porte
donnant sur le plaisir
vous ne connaîtrez
que le trou aveugle
de la serrure.

. . .

Yfig

Mon souvenir de vous”
.
Mon souvenir de vous
Je suis à vos genoux
Sans culpabilité
Et réciprocité
.
Je suis venu vous dire mon souvenir de vous
Dans ma mémoire incertaine vous êtes un peu floue
Images parfums vocales touchés et saveurs
De toutes ces valeurs j’en oublie les couleurs
.
Je suis à vos genoux
Mon souvenir de vous
Sans culpabilité
Et réciprocité
.
Ma dernière vision votre premier regard
Ma plus grande illusion mon premier désespoir
Votre corps imparfait présent sans condition
Vos jambes enlacées à mon corps d’abandon
.
Sans culpabilité
Je suis à vos genoux
Et réciprocité
Mon souvenir de vous
.
Vous fûtes si parfaite j’en perdis la raison
Ma langue entre vos cuisses pulpait votre toison
Mon doigt curieux inspectait votre intimité
Vous vous laissiez ausculter sans formalité
.
Mon souvenir de vous
Je suis à vos genoux
Sans culpabilité
Et réciprocité
.
De votre vagin me fîtes hospitalité
En amante experte me fîtes succomber
Mon sperme voluptueux s’épandit chaleureux
Sans autre retenue de votre amant heureux
.
Sans culpabilité
Je suis à vos genoux
Et réciprocité
Mon souvenir de vous.

. . .

Christian Rabussier (né en 1969)

Le chant du clitoris” (2011)

.

Quand je suis dans tes bras

Tu ensorcelles mon corps,

Embaumant ma peau,

Par tes douces caresses,

Tu formes cette enveloppe

Qui protège mon âme

De mes démons,

Ancrés dans ma peau.

Quand je suis dans ton lit

J’aime entendre le chant du clitoris,

Enfoui dans ta flore sauvage.

Chaude et humide.

Paysage imaginaire,

Issu de tes fantasmes.

Quand je suis dans tes draps,

Doucement je fonds en toi,

Je m’incorpore dans ton corps.

Cherchant dans tes pensées

Les paroles de ce chant mélodieux.

. . .

Sophie Rabussier

Baiser intense”

.
Un soir d’été,

Il faisait chaud

Nous étions là,

Enlacés les bras dans les bras l’un de l’autre

À nous regarder tendrement

Mourant d’envie de nous embrasser

Soudain nos corps n’en peuvent plus

Lassés d’attendre

Le plaisir laisse place à la tentation

Et passent à l’action

Ses mains caressaient mes seins

Nos langues s’entremêlent

Ses doigts enlaçaient mes cheveux

Descendent petit à petit jusqu’à mon cou

La passion le saisit à ne plus pouvoir s’arrêter

Son âme si excitée

N’en pouvait plus

Il continue de longer tout le long de mon corps

Il en désirait encore

son sexe

Se dresse d’un coup

Impossible

D’attendre plus longtemps

Il en voulait encore et toujours plus

Il devenait de plus en plus vorace

Quand tout à coup

Je le sens qui commence

À me pénétrer

Aussi tendrement

Qu’il savait le faire

Un plaisir intense envahie mon âme

À me rendre ivre de bonheur.

.     .     .     .     .


Poemas para o Dia Mundial de Combate à AIDS / Poemas para el Día Mundial de la Lucha contra el SIDA / Poems for World AIDS Day / Poèmes pour la Journée mondiale de lutte contre le SIDA

All for one and one for all_Together we are stronger. . .

Não ser amado é uma simples desventura; a verdadeira desgraça é não saber amar.” (Albert Camus)

.

No ser amado es una simple desventura;
la verdadera desgracia es
no saber amar.” (Albert Camus)

.

To be unloved is merely misfortune; the true tragedy is in not loving.” (Albert Camus)

.

Il y a seulement de la malchance à n’être pas aimé; il y a du malheur à ne point aimer.” (Albert Camus)

. . .

Liduina Felipe M. Fernandes (Mossoró, Brasil)

Dia de Celebrar a Vida todos os dias

.
1º de dezembro – dia de comemorar
O Dia Mundial de Combate à AIDS
Para que todos possam espalhar
Que a melhor solução
É sempre a informação
Educação e prevenção.
Dia de celebrar a vida.
Dia de socializar conhecimentos,
Respeitar, e não discriminar
Pois a vida pede dignidade,
Solidariedade e qualidade
E não apenas quantidade.
Dia de compreender que não basta falar
É preciso garantir condições para que a vida
Se possa resgatar e preservar.
Dia de gritar que direitos sociais legais
Carecem de aplicação no dia-a-dia,
Pois se forem “leis de papel”
Onde estará a garantia
De que tudo que foi escrito
É sinônimo real de cidadania?
1º de dezembro – dia de refletir
Que todo dia é dia de viver e de lutar
Pelo direito à vida,
Pelo respeito à saúde,
Pela consciência individual e coletiva
Para que todos, sem discriminação,
Respeitando as diferenças, possam desfrutar
De melhores dias sem AIDS.
E todas as armas violentas biológicas e “fabricadas”
Que nada mais fazem do que vidas, desrespeitar e ceifar.
1º de dezembro – dia de lembrar
De que todos os dias devemos, a vida, celebrar!

. . .

Maria do Rosário Lino (Brasil)

Saudação à Vida(2000)
.
Era um médico
e peregrinava
pelos templos
do mundo
onde a natureza
humana
lhe pedia ajuda.
.
Percorrendo aldeias
miseráveis
transportava
sua profissão
como um sacerdócio
onde o ócio
não havia.
.
Perplexo,
combatia
a mortandade social
que estagnava
as possibilidades
de nascedouros.
.
Paz e saúde
a toda a gente
era sua passagem
pelas cidadelas
e sua mensagem
era a superação
das mazelas
como produto
de uma fé
que se prova,
bebendo em pé,
no copo
da força de vontade.
Saciedade, nunca!
.
É preciso
epidemizar
o bem estar
de todos,
do café da manhã
ao jantar,
do deitar-se
ao levantar,
quando então
se pronunciará
a morte da decadência
ao bem da ciência
e um dia,
com a sapiência
e muita sorte,
a decadência
da morte.

. . .

Rui de Noronha (Maputo, Moçambique, 1909 – 1943)

Mulher”

.

Chamam-te linda, chamam-te formosa,
Chamam-te bela, chamam-te gentil…
A rosa é linda, é bela, é graciosa,
Porém a tua graça é mais subtil.
.
A onda que na praia, sinuosa,
A areia enfeita com encantos mil,
Não tem a graça, a curva luminosa
Das linhas do teu corpo, amor e ardil.
.
Chamam-te linda, encantadora ou bela;
Da tua graça é pálida aguarela
Todo o nome que o mundo à graça der.
.
Pergunto a Deus o nome que hei-de dar-te,
E Deus responde em mim, por toda parte:
Não chames bela – Chama-lhe Mulher!

. . .

Rui de Noronha

Amar”

.

Amar é um prazer, se nós amamos
Alguém que pode amar-nos e nos ama.
Amar é um prazer, se por nós chama
Continuamente alguém que nós chamamos.
.
Então a vida inteira a rir levamos,
O mesmo fogo ardente nos inflama,
E os ideais da vida, o bem, a fama,
Mãos dadas pelo mundo procuramos.
.
No encapelado mar desta existência,
O amor é compassiva indulgência
A culpa original dos nosso pais.
.
Que resta ao homem, suprimido o amor?
Buscar a morte p’ra fugir a dor,
Tristeza, indiferença – e nada mais.

New York Times, July 3rd,1981: First newspaper publication of an indirect reference to what would later come to be known as Acquired Immune Deficiency Syndrome or AIDS_Medical correspondent Lawrence K. Altman's article about Kaposi's Sarcoma – which can be a cancer of opportunity for someone with a severely weakened immune system – was buried on p.20. GRID (Gay-related immunodeficiency disease) – as the unknown disease was called in the first year – was emerging in the USA between 1981-1982, and was largely associated with white, gay men in San Francisco and New York...

New York Times, July 3rd,1981: First newspaper publication of an indirect reference to what would later come to be known as Acquired Immune Deficiency Syndrome or AIDS_Medical correspondent Lawrence K. Altman’s article about Kaposi’s Sarcoma – which can be a cancer of opportunity for someone with a severely weakened immune system – was buried on p.20. GRID (Gay-related immunodeficiency disease) – as the unknown disease was called in the first year – was emerging in the USA between 1981-1982, and was largely associated with white, gay men in San Francisco and New York…

...Meanwhile, in two African nations, another part of the same medical story was developing... Slim Disease – so called because people's bodies just wasted away – appeared in 1982 in Tanzania and in the Rakai District of Uganda bordering Lake Victoria, and was debilitating mostly heterosexual men and women. By October 1985, in an issue of the British peer-reviewed medical journal, The Lancet, Dr. David Serwadda of the Makerere Medical School in Kampala would publish with his team an article entitled: “Slim Disease: a new disease in Uganda and its association with HTLV-III infection”. Soon after, researchers on opposite continents understood that those different early names – whether GRID or SLIM – were, in fact, describing one disease: AIDS. Image shown here: a Ministry of Health public poster, Zimbabwe,1989

…Meanwhile, in two African nations, another part of the same medical story was developing… Slim Disease – so called because people’s bodies just wasted away – appeared in 1982 in Tanzania and in the Rakai District of Uganda bordering Lake Victoria, and was debilitating mostly heterosexual men and women. By October 1985, in an issue of the British peer-reviewed medical journal, The Lancet,
Dr. David Serwadda of the Makerere Medical School in Kampala would publish with his team an article entitled: “Slim Disease: a new disease in Uganda and its association with HTLV-III infection”. Soon after, researchers on opposite continents understood that those different early names – whether GRID or SLIM – were, in fact, describing one disease: AIDS. Image shown here: a Ministry of Health public poster, Zimbabwe,1989

"Fight AIDS! We need healthcare and research, not bigotry!." A 1985 demonstration in front of New York City Hall as a City Council committee considered legislation to bar pupils and teachers with the AIDS virus from public schools_photograph by Rick Maiman_By the end of 1981, 159 cases of the mysterious new disease had been reported in the USA.  By 1985, 15,527 cases of AIDS had been reported, with 12,529 deaths.  Ten years later, in 1995, it was 513,486 cases and 319,849 deaths, making AIDS the leading cause of death for Americans ages 25 to 44.

“Fight AIDS! We need healthcare and research, not bigotry!.” A 1985 demonstration in front of New York City Hall as a City Council committee considered legislation to bar pupils and teachers with the AIDS virus from public schools_photograph by Rick Maiman_By the end of 1981, 159 cases of the mysterious new disease had been reported in the USA. By 1985, 15,527 cases of AIDS had been reported, with 12,529 deaths. Ten years later, in 1995, it was 513,486 cases and 319,849 deaths, making AIDS the leading cause of death for Americans ages 25 to 44.

ACT UP_AIDS Coalition to Unleash Power_was founded in 1987 by a group of gay men. Seen here, a demonstration at the Food and Drug Administration in Washington, D.C._1988_photograph © Donna Binder

ACT UP_AIDS Coalition to Unleash Power_was founded in 1987 by a group of gay men. Seen here, a demonstration at the Food and Drug Administration in Washington, D.C._1988_photograph © Donna Binder

Poster aimed at helping people get past their fear of knowledge about HIV_USA, around 1990

Poster aimed at helping people get past their fear of knowledge about HIV_USA, around 1990

Tanzanian safe sex poster drawn by Father Bernard Joinet_The Fleet of Hope in the Flood of AIDS_A rubber lifeboat is the metaphor for condoms_1994

Tanzanian safe sex poster drawn by Father Bernard Joinet_The Fleet of Hope in the Flood of AIDS_A rubber lifeboat is the metaphor for condoms_1994

Members of ACT UP protest during a session of the National Conference on Women and HIV being held in Pasadena, California_1997_Associated Press photo

Members of ACT UP protest during a session of the National Conference on Women and HIV being held in Pasadena, California_1997_Associated Press photo

. . .

Jaime Gil de Biedma (1929-1990, Barcelona, España – fallecido por el SIDA)

Mañana de ayer, de hoy”

.

Es la lluvia sobre el mar.
En la abierta ventana,
contemplándola, descansas
la sien en el cristal.

.

Imagen de unos segundos,
quieto en el contraluz
tu cuerpo distinto, aún
de la noche desnudo.

.

Y te vuelves hacia mí,
sonriéndome. Yo pienso
en cómo ha pasado el tiempo,
y te recuerdo así.

. . .

S. Luz Teresa nació en San Jerónimo, Guerrero, México. En 1986 necesitó una cirugía, en la cual requirió de transfusiones –siendo alguna de éstas las que le causó su infección por VIH. Falleció en 1996.

S. Luz Teresa

¡Auxilio!”

.

¡Auxilio! Se me está acabando el oxígeno, tengo SIDA,

soy un enfermo de SIDA

quiero gritarlo

para poder vivir en paz

y saber con quién cuento

y quién me rechazará.

¡Silencio! ¡Cállate!

Habla más bajo que te pueden oír

y me callo y me resigno

no por mí, por mi familia

porque la gente insensata

que, lamentablemente,

es mucha todavía,

por el simple hecho de saber

que conviven con una persona

como yo, los señalaría

¡me ahoga esta miseria!

¿Por qué a ellos que son

los únicos prudentes?

¡Maldición!

¿Cuándo aprenderán a distinguir

qué es lo que vale de la vida?

¿Cuándo aprenderán

a respetar el silencio?

¿Cuándo dejarán de cuestionarse

si estás o no infectado?

¿Cuándo cambiarán el morbo

por comprensión o cariño?

¿Cuándo?

¿Cuándo sabrán ser amigos?

Espero que no sea dentro de

mucho tiempo.

Porque si esto sucediera,

nadie más tendría que mentir

y ocultar su mal,

nos haría ciudadanos de nuevo,

nos cuidaríamos mutuamente,

porque como nosotros estamos

mucho más conscientes

de cuan dura

es nuestra enfermedad

quisiéramos que nadie

más sufriera

esta larga agonía,

igual que nuestras familias

y nuestros doctores,

aquellos que sabiendo la verdad

nos tocan, nos cuidan

y nos quieren

y no se infectan

y hacen que nos sintamos bien

y nos alientan a que,

por encima de nuestros problemas,

tracemos nuevas metas,

que en ocasiones

estemos contentos,

que no nos impacientemos

y que no olvidemos del todo

nuestra capacidad de amar.

No, no les estoy pidiendo amor,

seria una propuesta absurda,

sólo les pido comprensión

y eso es mucho más sencillo

soy un enfermo de SIDA

que simplemente,

quiere vivir en paz.

. . .

Jordi Demarto (España)

No te duermas” (2005)

.

Cuando mi cuerpo invadiste
No fui capaz de evitar,
Sentirme sucio, muy triste
Hasta me hiciste llorar. 

.

¿Qué será ahora de mi vida,
Mis proyectos de futuro?
Ahora tenía el SIDA.
Fue un golpe tan fuerte y duro.

.

 Más tarde ya comprendí
“Gracias a la información”
Que mi vida no acababa
– No moriría mañana,
deshuesado y sin razón. 

.

Sentí la fuerza de un oso,
Y hasta ganas de volar,
cada año un lazo rojo
nos ayuda a no olvidar.

.

Que la guerra sigue en pie,
Que esta guerra ha de acabar,
En todos los continentes
“y sin África olvidar”. 

.

Que la vida no se acaba,
Que no hay que dejarse vencer
Por un virus despiadado
Que hoy no podemos vencer. 

.

Sigamos luchando en la vida
Sin confiar en la suerte.
¡No te quedes ahí sentado!
¡No des tu tiempo a la muerte! 

. . .

Arjona Delia (Argentina)

Lucha contra el SIDA” (2011)

.

El cuerpo se daña en agonía,
pierden la esperanza y valentía,
lágrimas, sollozos y lamentos,
acerca la muerte día a día.
.
Cuida tu vida y la de los demás,
del virus letal, cruel enfermedad,
que te lo trasmiten al amar,
cuando no te saben cuidar.
.
Lucha, no te des por vencido,
si la herida te hace sangrar
yo te ofrezco mi mano para andar,
en mi corazón tendrás lugar.
.
No temas, aprende sobre el sida,
la ignorancia es la que contamina,
la mejor defensa es la prevención,
y contar con buena información.

.

http://www.arjonadelia.blogspot.com

. . .

Craig G. Harris (Black gay poet, U.S.A., died in 1991 of complications from AIDS)

Alive after his passion” (for Elias)

.

green mangos

with salt and

vinegar,

hearts of palm

and holy ghosts

make me

speak in

tongues

with garlic breath,

dance to unheard

beats,

fall beneath your

holy temple,

inhaling grey

incense dust,

writhing in

shed snake skins,

purified in the

flame,

wrapped

in unspeakable

joy.

.

(1987)

.

Phillis Levin (New York City)

What the Intern Saw” (1988)

.

I

He saw a face swollen beyond ugliness

Of one who just a year ago

Was Adonis

Practicing routines of rapture.

.

A boy who could appear

To dodge the touch of time,

Immortal or immune –

A patient in a gown,

Almost gone.

II

In the beautiful school of medicine

He read about human suffering,

A long horrible drama

Until the screen of anaesthesia

And penicillin’s manna.

.

But now, in myriad sheets

Of storefront glass refracting evening’s

Razor blue, in a land of the freely

Estranged from the dead, he meets

That face – and fear seizes his body.

III

His feet have carried him to bed.

He thinks he must be getting old

To so revise

His nature and his plan.

.

He shuts his eyes

And in his sleep he sees a gleaming bar,

The shore of pain.

It isn’t far.

People live there.

. . .

Adam Johnson (Gay U.K. poet, 1965-1993, died of complications from AIDS)

December 1989”

.

The nascent winter turns

Each root into a nail,

And in the West there burns

A sun morbid and pale.

.

Now, from the city bars

We drift, into a cool

Gymnasium of stars –

The drunkard and the fool:

.

Into the night we go,

Finding our separate ways –

The darkness fraught with snow,

The leaves falling like days.

. . .

Clovis S. Palmer (Jamaica/Australia)

Guilt”

.

Whoi! Mother, father, mi baby – gone

Whoi! Sister, brother, mi uncle – gone

Whoi! Daughter, mi son, mi family – gone

Whoi! What stain have I bestowed?

.

She held her son, the flesh melted from his bones,

Tears streamed down her cheeks, like raindrops down the window screen.

Unexplainable, undeniable, but beneath the ground he must go

Singing, mourning, cries of pain –

Who next will suffer this dreadful stain?

.

The sunset kisses the Blue Mountain range,

Darkness covers the Kingston plains.

Tomorrow we shall start again –

Who next will suffer this dreadful stain?

.

The sun seeps over the Caribbean Sea,

Today my brother I shall not see.

Like the petals from roses – gone too soon –

Red ribbons I left on his tomb.

. . .

HIV/AIDS is defined by people: their complex lives, their bravery, their fear, their sadness, their need, their laughter, their inconsistencies – basically, their rich humanity. These people taught me how to write about hope, and the beauty in the ordinariness of all of our lives.” (Kwame Dawes)

.

Kwame Dawes (born 1962, Ghana – raised in Jamaica)

Coffee Break”

[This 2008 poem was inspired by caregiver John Marzouca of Jamaica]

.

It was Christmastime,
the balloons needed blowing,
and so in the evening
we sat together to blow
balloons and tell jokes,
and the cool air off the hills
made me think of coffee,
so I said, “Coffee would be nice,”
and he said, “Yes, coffee
would be nice,” and smiled
as his thin fingers pulled
the balloons from the plastic bags;
so I went for coffee,
and it takes a few minutes
to make the coffee
and I did not know
if he wanted cow’s milk
or condensed milk,
and when I came out
to ask him, he was gone,
just like that, in the time
it took me to think,
cow’s milk or condensed;
the balloons sat lightly
on his still lap.

.

Coffee Break” © Kwame Dawes

.

. . .

Kwame Dawes

Cleaning”

[This 2008 poem was inspired by Dr. Peter Figueroa of Jamaica]

.

After a while, you don’t bother
with the brief and the pajamas;
you leave him on the sheet,
make him shit himself, then
shift over to the other side
until I can come, lift up
the body, wipe his bottom
with a soft cotton cloth, bundle
up the sheet with two more
in the corner, straighten
out the plastic over the mattress—
sometimes you have to wipe
it, too, then put a towel
under him until the other
sheet dry, and all the time,
you don’t say a word,
you don’t ask for nothing.
You let your hand brush
against your father’s back
and pray his dignity will last
another day. This is how
a man must care for his father;
quiet, casual, and steady.

.

Cleaning” © Kwame Dawes

.

Kenya_poster encouraging Safe Sex_1990s

Kenya_poster encouraging Safe Sex_1990s

Poster from Morocco promoting safe sex_The Arabic reads: Tradition does not rhyme with Prevention.

Poster from Morocco promoting safe sex_The Arabic reads: Tradition does not rhyme with Prevention.

Safe sex poster from Cuba_The Spanish reads:  Enjoy Life, Avoid AIDS._How do I show that I love you?  (With a flower AND a condom.)

Safe sex poster from Cuba_The Spanish reads: Enjoy Life, Avoid AIDS._How do I show that I love you? (With a flower AND a condom.)

A schoolteacher fired after testing HIV-positive is embraced by his daughter_India_2004_photograph by W. Phillips

A schoolteacher fired after testing HIV-positive is embraced by his daughter_India_2004_photograph by W. Phillips

A Haitian woman takes the opportunity to be tested for HIV_Haiti_2007_photograph © Thony Belizaire

A Haitian woman takes the opportunity to be tested for HIV_Haiti_2007_photograph © Thony Belizaire

South African women reminding passing motorists that condom use drastically reduces the spread of HIV_2009

South African women reminding passing motorists that condom use drastically reduces the spread of HIV_2009

At a roadside HIV-testing table near Cape Town, South Africa, a nurse tests a man's blood_2012_photograph by Rodger Bosch_While South Africa has the highest percentage worldwide of people living with HIV – about 6 million in a nation of 53 million – it also has the world's largest treatment programme using Anti-Retroviral drugs distributed from several thousand  health clinics.

At a roadside HIV-testing table near Cape Town, South Africa, a nurse tests a man’s blood_2012_photograph by Rodger Bosch_While South Africa has the highest percentage worldwide of people living with HIV – about 6 million in a nation of 53 million – it also has the world’s largest treatment programme using Anti-Retroviral drugs distributed from several thousand health clinics.

South African Archbishop Emeritus Desmond Tutu has been a vigorous campaigner for access to treatment for TB, HIV and AIDS;  he has also publicly promoted condom use for disease prevention,  a most forward-looking approach for a Man of the Church.

South African Archbishop Emeritus Desmond Tutu has been a vigorous campaigner for access to treatment for TB, HIV and AIDS; he has also publicly promoted condom use for disease prevention, a most forward-looking approach for a Man of the Church.

HIV-positive activists at a rally in India

HIV-positive activists at a rally in India

The International Medical Corps organized an advice and training programme for women at Mera Kachori Afghan Refugee Camp in Pakistan_December 2012

The International Medical Corps organized an advice and training programme for women at Mera Kachori Afghan Refugee Camp in Pakistan_December 2012

Fight HIV not People with HIV! Activist with banner outside the Russian Embassy in New York City_2013

Fight HIV not People with HIV! Activist with banner outside the Russian Embassy in New York City_2013

In Guandong, China, some bold HIV-related policy decisions will come into play.  In the wake of concerted advocacy efforts the ban on HIV-positive teachers in the classroom will be lifted_June 2013

In Guandong, China, some bold HIV-related policy decisions will come into play. In the wake of concerted advocacy efforts the ban on HIV-positive teachers in the classroom will be lifted_June 2013

Standard Chartered Bank in Brunei Darussalam on the island of Borneo conducted a Living With HIV morning huddle with its staff. True or False statement cards were used to test staff’s knowledge of HIV facts_October 2013

Standard Chartered Bank in Brunei Darussalam on the island of Borneo conducted a Living With HIV morning huddle with its staff. True or False statement cards were used to test staff’s knowledge of HIV facts_October 2013

Melbourne, Australia, November 30th 2013_World AIDS Day event

Melbourne, Australia, November 30th 2013_World AIDS Day event

. . .

This is my dedication and tribute to my patients who live with HIV. I will never be the same because of the way you have touched me, seeing how you continue to move forward every day in this society – with its preconceptions and misbeliefs.” [Paula V. Reid, April 2013]

.

Paula V. Reid (Nurse, North Carolina, U.S.A.)

The Unique Woman”

.

Hello, I am special just like you.
Why should anyone feel differently?

Is it because I may be
a drug abuser,
a prostitute,
a homeless person,
or do you believe I’m a nobody?

Have you ever thought I could be
your mother,
your sister,
your friend?
Would that make a difference?

But in the whole scheme of things, does it really matter?
Because the most important issue is
I am a woman that needs your help.
Are you in a position to give me that help?
I need to be loved.
I need to be cherished.
I need to be cared for.
I face extraordinary challenges every day
and many times face them alone.

Some women have children,
spouses and loved ones to care for.
Where do I get the strength
and energy to keep going?
Don’t I need compassion?

That is why I am the unique woman.

I hear you talk about me in the hallway and stairwells.
“I have to see that HIV lady down the hall.”
“Oh boy, I am the next one up for an HIV case.”

Treat me the way you would want to be treated.
That is what I ask of you.
Don’t ask me: “How did you get it?”
unless it is relevant to my care for that day.
When I cry, cry with me.
When I laugh, laugh with me.
Then, when I am alone it won’t be so bad.

My walk is hard and the road is tough,
but with your help it could be gentler.

I am reaching out to you.

. . .

Rory Kilalea / ‘Murungu’ (Zimbabwe)

Prayer”

.

I do not know how to pray.
I only know how to talk
at you, God.
As a stillness supreme
evading my eyes,
avoiding my ears.
Yet I know You are there.
It is only the reflection I miss.

. . .

Senator Ihenyen (Nigeria)

Is It Because…”

you did not kiss my hand

like you used to

when with so much love in my eyes

I held it up to your lips

beaming with the crystals in my heart –

Is it because I now have HIV?

When you poured the red wine into the glasses

you did not hold yours to my waiting lips

like you used to

so that – as transparent as the two glasses –

we could see the colours in our hearts –

Is it because I now have HIV –

Or because you never really loved me?

.

(2013)

. . .

Senator Ihenyen (Nigeria)

Stranger in the Mirror
of My Life”

.

Before me is a mirror
a mirror beside my bed
away from the sun
burning brightly outside the window-blinds
in my darksome room.

For a moment
before the mirror
I stand to see the face of the victim
whose result returned a death sentence
after a test,
and another test, and yet another,
but they kept coming back
one and the same
like the torrent of tears that keep returning to your eyes
when the heart remains wet with worries

Wavering worries of one’s life walking away from the door,
as the wall clock thcks unrestrained, untouched, unconcerned,
like the footsteps of the world moving on,
unaffected, unmoved, unstirred.

In the mirror
I found a face
a certain face too afraid to look at me.
The face of a stranger –
a strange face sketched in the shadows of my unlit room,
against the fiery fingers of the sun flicking the window-blinds on a fateful morning
to irradiate my day.

I know this face hiding in the mirror isn’t me –
It couldn’t be me!
I looked straight into her eyes,
and it was then she looked back at me –
petrified, she crept back into the closet of her life.

I walk slowly and gently towards her,
and the stranger suddenly steps closer and closer towards me.
And when my feet froze on the floor
Upon the freezing fear that gripped me,
the stranger in the mirror suddenly startles – faint-hearted, intimidated –

this stranger is not me,
No, not me!

She is just a shadow –
the shadow of someone too locked-up in her closet to open up to me.
She is a stranger too steeped in shame to stand up to herself
and say:

I’m Hannah,
I’m HIV-positive –

but see how beautiful life could be
when I open the window-blinds in my heart
and let the rays of the sun
overshadow the stranger in the mirror of my life.”

.

(2013)

.

Is It Because…” and “Stranger in the Mirror of My Life” © Senator Ihenyen

From his just-released 2013 e-book Stranger in the Mirror of My Life: Poems for Everyone Affected by HIV/AIDS

. . .

[The poem below] came as result of belonging to what is sometimes called a “sero-discordant couple” – one partner HIV-negative, the other positive. It’s not a difference easy to negotiate, as perhaps the poem makes clear. Early on, my new lover offered me the choice to avoid commitment, citing his condition; but I chose instead to go forward with the relationship – a decision I don’t regret. I believe that medical research will find a fully satisfactory treatment for HIV and that this epidemic will come to an end. When that happens – what joy it will bring.” (Alfred Corn)

.

Alfred Corn (born 1943, Georgia, U.S.A.)

To a Lover who is HIV-positive” (2002)

.

Grief; and a hope
that springs from your intention
to forward projects as assertive
or lasting as flesh ever upholds.

.

Love; and a fear
that the so far implacable
cunning of a virus will smuggle away
substantial warmth, the face, the response
telling us who we are and might be.

.

Guilt; and bewilderment
that, through no special virtue of mine
or fault of yours, a shadowed affliction
overlooked me and settled on you. As if
all, always, got what was theirs.

.

Anger; and knowledge
that our venture won’t be joined
in perfect safety. Still, it’s better odds
than the risk of not feeling much at all.
Until you see yourself well in them,
Love, keep looking in my eyes.

. . .

 

Mike Kwambo (Nairobi, Kenya)

Positive”

.

Positive…
the status of my HIV.
Negative…
your attitude towards me.
Nonchalant…
is how I choose to be.
Pretenders…
you allegedly sympathize with me.
True colours…
you show them when I turn my back.
Pity…
I surely do not need it right now.
Life…
I am full of it and I am living>
Understanding…
I have a condition, like anyone else.
Positive…
the status of my attitude.
Determination…
is filled inside of me.
Oh
yes
I have the will to live.
I am positive…
in
every aspect
of the word!

.

(2009)

. . .

Tikum Mbah Azonga (Le Cameroun)

Venez vous voir (La séropositivité n`est pas la mort)”
.
Si vous êtes séropositif, mon ami,
Ne désesperez pas
Surtout pas!
Venez nous voir même en catinimi.
.
Nous sommes là pour vous tous
Les activités de conseil –
Pour les amis comme vous au conseil,
C`est notre affaire de toujours.
.
Venez nous voir en toute confidentialité –
Nos sessions de counseling se font en douceur.
Vous n`est pas seul car d`autres sont venus sans rancoeur
Et sont partis satisfaits et pleins de vitalité.

.

(2009)
. . .

Tikum Mbah Azonga (Le Cameroun)

Les confidences d’une mère (La transmission mère-enfant)”

.
Je m`appelle Marthe.
Je suis mère de trois enfants
Dont le dernier a huit mois,
Les trois autres – que Dieu soit loué!
Ont trois, cinq et sept ans –
Je me suis fait dépister a chaque grossesse.
.
Dieu merci, tout a été négative,
Mais si j`avais été testé positive
J`aurais suivi les conseils du médicin,
J`aurais pris des médicaments
Pour ne pas contaminer mon bébé.
.
Avais-je peur du test? Jamais!
Car il y a le counseling.
Alors, si vous êtes enceinte
Comme moi, faîtes

vous dépister protéger votre bébé.

.

(2009)

. . .

Alassane Ndiaye (Sénégal)

Sous Le Soleil De L’Amour”

.

Notre premier baiser
A cette saveur lactée
Ce parfum de rose
Aux vapeurs poivrées
.
Et tes lévres douces
Et fermes comme la chaire
Fraiche d’une pomme
Croustillantes comme le pain nouveau
Embrassent ma bouche
Suscitant le désir coupable
.
Tu es une étoile qui chaque jour
Brille dans le ciel trouble de mon existence
Un soleil qui transperce le voile sombre de mon esprit
Une source où s’abreuvent les âmes en peine

Je t’aime.

.

(2000)

.

. . .

Ibrahim Coulibaly (Côte d’Ivoire)

Ton Sourire et Ta Voix”

.
Mon regard dans le vent
Je vois dans le ciel sourire ta beauté
Qui fait voyager mon esprit
Dans le train merveilleux de ton charme.
En moi luit la lumière du bonheur
Car ta voix d’or
Ta voix aux mille couleurs
Fait couler sur moi des mélodies de miel.
L’harmonie de ton corps est un tableau
Que jamais ne pourra effacer la force des mots.
Si j’étais une larme dans tes yeux
Jusque sur tes lèvres je coulerai
Si une larme dans mes yeux tu étais
Jamais je ne pleurerais
De peur de te perdre.

.

(2013)

.     .     .     .     .


Poèmes sur l’Amitié pour la Journée mondiale de lutte contre le SIDA – Poems of Friendship for World AIDS Day

World AIDS Day 2013_Our Hands Together

Emmanuel W. Védrine (Haïti)

What I want you to know”

.
I want you to know there is
Someone who’s thinking of you,
Someone who wants to help you
Along the way,
Someone who can take your problems away,
Someone who wants to be with you
When the sun is shining
And when there is rain.
I want you to know there is
Someone who won’t let you down,
Someone who will care for you,
Someone you can talk to,
Someone who will make your days brighter
And who will make you feel happier.
I want you to know
This person is me,
Someone who
Thinks about you.

.     .     .

Emmanuel W. Védrine (Haiti)

Ce que tu dois savoir”

.
Je veux que tu saches
Qu’il y a quelqu’un qui pense à toi,
Quelqu’un qui veut t’aider
Au long de la route.
Quelqu’un qui veut solutionner tes problèmes,
Quelqu’un qui veut être avec toi
Quand le soleil brille
Et quand le temps est à la pluie.
Je veux que saches
Qu’il y a quelqu’un
Qui ne te laissera pas toute seule,
Quelqu’un avec qui
Tu peux parler avec aisance
Et tu seras contente,
Contente plus que jamais.
C’est bien moi,
Quelqu’un qui pense à toi.

.

(Traduction du créole haïtien – French translation from the original Creole)

.     .     .

 

Emmanuel W. Védrine

Who are you?”

.
Who are you? You know who you are.
Is it the way you appear in other people’s eyes
That tells you who you are?
Is it what they say about you
That tells you who you are?

.

Sometimes I laugh and I laugh
When someone is taken for what that person is not.
How many mistakes do we make when we judge people?
You can see what a person is on the outside
But not what they have in their heart.

.

Who are you? Is it society that tells you who you are?
How do you see society?
What can you do to change the world?
Is it your passport that tells you who you are?
Tell me who you are, then each of us can bring
A stone for the reconstruction of the world.

.     .     .

Emmanuel W. Védrine

Qui êtes vous?”

.
Qui êtes vous? Vous savez qui vous êtes.
Le regard des autres vous dit-il
Qui vous êtes?
Ce qu’ils disent à votre propos vous dit-il
Qui vous êtes?

.

Parfois je ris et je ris
Quand quelqu’un est pris pour ce qu’il n’est pas.
Combien d’erreurs sont faites à juger autrui?
Ce qui se voit est l’apparence;
Le contenu du coeur est invisible.

.

Qui êtes vous? La société dit-elle qui vous êtes?
Comment percevez-vous la société?
Que pouvez vous faire pour changer le monde?
Votre passeport détermine-t-il qui vous êtes?
Dites-moi qui vous êtes et alors chacun de nous peut apporter
Une pierre à la reconstruction du monde.

.

(Traduction du créole haïtien – French translation from the original Creole)

.     .     .     .     .