Classic Kaiso: “Bass Man” by The Mighty Shadow

ZP_The Mighty Shadow_photograph by Abigail HadeedZP_The Mighty Shadow_photograph by Abigail Hadeed

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August 31st is Independence Day in Trinidad and Tobago, and, since “we” [here at Zócalo Poets] have a sentimental attachment to Kaiso, let “us” therefore share the lyrics to an old favourite – “Bassman” by The Mighty Shadow (Winston Anthony Bailey, born 1941, Belmont, Port of Spain) – which, back in 1974, was a strikingly original Calypso tune with a new sound and instrumental arrangement:  bandy-leggéd rhythms + a bunny-hoppity bass-line.

Influenced by the style of The Mighty Spoiler (Theophilus Phillip, 1926-1960), who was a great exponent of humorous and imaginative Calypsos, Shadow has had a propensity for the eccentric and the eery.  Often, he has worn dark clothing with a broad-brimmed hat and regal cape;  and he has the most curious movements – including a minimalist approach – when it comes to his deportment while performing.  Winning first and second places in the contest for Road March 1974 – with his songs “Bassman” and “Ah Come Out To Play” – released as a 7-inch 45rpm single vinyl record the same year – Shadow was the ‘new’ calypsonian to break the stranglehold on Road March Title held for eleven years by “biggies” Kitchener and Sparrow.   While Shadow came very close to winning Calypso Monarch for 1974 certainly he was the crowd favourite – the judges didn’t agree.   He would be denied the crown several seasons over before deciding to just ignore that competition – well, for 17 years, at any rate.   In 1993 he re-entered for Calypso Monarch and, though he was not to win, he would comment afterwards:  I never get no crown, but they can’t touch my music. The Shadow music sweet too bad.”   However, in 2000, he did finally win the Monarch title – something he’d been deserving of for many years.

As regards his musical contribution to the Calypso genre, Shadow told the Trinidad newspaper, TnT Mirror, in 1989, that his claim to fame was in “moving the bottom of the music, and introducing changes in the bass lines…My music is characterized by a lot of energy, because of my emphasis on the foot drums and bass…”   Among The Mighty Shadow‘s famous songs are:   Obeah (1982), Ah Come Out Tuh Party (1983), If I Wine I Wine (1985), The Garden Want Water (1988), and Mr. Brown (1996).

ZP_A 12 year old boy and member of the Tamana Pioneers steel orchestra practises his bass drums_ Arima, Trinidad_ January 2013ZP_A 12 year old boy and member of the Tamana Pioneers steel orchestra practises his bass drums_ Arima, Trinidad_ January 2013

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Winston Anthony Bailey a.k.a. The Mighty Shadow

“Bass Man”

(Music and lyrics by Bailey / Arranger: Art de Coteau)

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I was planning to forget Calypso
And go and plant peas in Tobago
But I am afraid ah cyah make de grade.
Cuz every night I lie down in mih bed
Ah hearing a Bassman in mih head

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Ah don’t know how dis t’ing get inside me
But e-ve-ry morning, he drivin’ me crazy
Like he takin’ me head for a pan-yard
Morning and evening, like dis fella gone mad.
Pim pom – an’ if ah don’t want to sing
Pim pom – well, he start to do he t’ing
I don’t want to – but ah have to sing
Pim pom – an’ if ah don’t want to dance
Pim pom – he does have me in a trance
I don’t want to – but ah have to prance to his:

pom pom pidi pom, pom, pom pom pidi pom, pom

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One night I said to de Bassman
Give me your identification
He said “Is me – Farrell –
Your Bassman from hell.
Yuh tell me you singing Calypso
An’ ah come up to pull some notes for you.”

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Ah don’t know how dis t’ing get inside me
But e-ve-ry morning, he drivin’ me crazy
Like he takin’ me head for a pan-yard
Morning and evening, like dis fella gone mad.
Pim pom – an’ if ah don’t want to sing
Pim pom – well, he start to pull he string
I don’t want to – but ah have to sing
Pim pom – an’ if ah don’t want to dance
Pim pom – he does have me in a trance
I don’t want to – but ah have to prance to his:

pom pom pidi pom, pom, pom pom pidi pom, pom

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I went and ah tell Dr Lee Yeung
That I want a brain operation
A man in meh head
I want him to dead
He said it’s my imagination
But I know ah hearin’ de Bassman…

Ah don’t know how dis t’ing get inside me
But e-ve-ry morning, he drivin’ me crazy
Like he takin’ me head for a pan-yard

Morning and evening, like dis fella gone mad.

Pim pom – etcetera…..

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