Five poets from Trinidad and Tobago
THE WORLD meets in Trinidad and Tobago. Here is a Caribbean country open to the possibilities of permeable boundaries, enriched by cultural diversity and charged with the energy needed to drive a special art.
Today, as the former British colony marks its 50th anniversary as an independent nation, we take a look at the work of five contemporary Trinidad-born poets in a series of posts which you will see below.
Most of these poets live in Trinidad, others divide their time between Trinidad and homes in the United Kingdom or the United States. All share a remarkable vantage point; all have been influenced by a rich Caribbean literary tradition which predates independence. Here are travellers: between time, space, dimensions, selves, journeying to and from Shakespeare’s undiscovered country. They create richly-coloured gems, sparkling like the light bouncing off the floor of a cold, golden sea, and sharp as a diamond blade.
The first post features Mervyn Taylor, the Trinidad-born poet who also lives in New York. His poem ‘The Mentor’ – which features the persona of a poet “dancing his / mischievous meaning, / tieless, sparkling with / metaphor” – seeks reason but finds the crackling of bones. The poem is an audacious distillation of the challenges facing Trinidad, which may also reflect the challenges of the poet and the individual seeking freedom.
Then, as Queen Elizabeth celebrates her Jubilee year, the Oxford-based poet Vahni Capildeo takes us to London’s Hyde Park only to make us discover that we have never left the bottom of the Atlantic Ocean, “Opalescent, Crystalline, Amethyst. And Dark”. By the time she is done with us we are unsure what ground we walk on and feel walking on water to be a natural state.
In another post we feature the quietly disquieting work of Danielle Boodoo-Fortune, a poet and artist who lives in Sangre Grande, a town in the north-east of Trinidad.
There are also posts by Colin Robinson, whose poetry shows us the sublime in unexpected places, and Nicholas Laughlin, the editor behind the Caribbean Review of Books, whose own work is a tour de force of mood, sound and language – dissecting ideas of alienation like an anthropologist might but with unexpected lyricism. Both are poets living in Diego Martin, the suburb nestled in the cool mountains of northwest Trinidad which was only this month ravaged by flood.
These poems are not intended as any sort of programmatic depiction of anything. They are grouped here to speak, whether in harmony or dissonance, of feelings, ideas and impressions. They are an unauthorised biography which the subject might secretly relish.
Each post is accompanied by an image from the Trinidadian graphic artist Rodell Warner (rodellwarner.com) who manages to capture a mood and tone that say things about the work, but also about Trinidad and Tobago and its vitality.
ABOUT TODAY’S GUEST EDITOR
Andre Bagoo is a poet and journalist from Trinidad. His first book of poems, Trick Vessels, was published by Shearsman Books (UK) in March 2012. His poetry has appeared in Boston Review, Caribbean Review of Books, The Caribbean Writer, tongues of the ocean and elsewhere. One of his poems, ‘Carnival Monday in Trinidad’, was featured at Zócalo Poets earlier this year. He is Zócalo Poets’ guest editor today, the 50th anniversary of Trinidad and Tobago Independence.
Morning Song for a Second Son
Second son, how I fear my own singing.
Each word sounds like regret,
like the rasp of torn laughter
sputtering from the kettle
of your prodigal’s tongue.
Lord knows, I cannot bear the sound.
The house sits deep in darkness,
tarsals click against tile as
you measure the breadth
of another’s shadow.
Son, of all the things I’ve made,
you are the truest, and the one
most unknown to me.
Each tic in your jaw is an ocean
of hurt I cannot cross
How I wish I could sing for you.
. . .
ABOUT THE POET
Danielle Boodoo-Fortune is a Trinidadian poet and artist. Her work has been featured in The Caribbean Writer, Bim: Arts for the 21st Century, Tongues of the Ocean, Anthurium: A Caribbean Studies Journal, Small Axe Literary Salon, and Poui: Cave Hill Journal of Creative Writing. Her art has been featured at Trinidad’s Erotic Art Week 2011, and the WoMA (Women Make Art) exhibition, in Grenada, 2012. Her art has also been featured in St. Somewhere Journal, Firestorm Literary Journal, Splash of Red Literary Arts Magazine, and on the cover of Blackberry: A Magazine. She was awarded the Charlotte and Isidor Paiewonsky Prize for first time publication in 2009, nominated for a Pushcart Prize in 2010, and shortlisted for the Small Axe Poetry Prize in 2009 and 2011.