Poems for Saint Patrick’s Day: favourites of “me Ma”

ZP_Eileen Thompson in 1948, not long after her arrival in Toronto from Belfast, Northern Ireland

ZP_Eileen Thompson in 1948, not long after her arrival in Toronto from Belfast, Northern Ireland_Now in her 80s she is an avid reader – still – and she has chosen the two poems we feature here.

Donal Og” / “Young Donald”

(from an old Irish Gaelic ballad, probably composed in the 10th century)

Translation by Augusta, Lady Gregory (1852-1932)

.

It is late last night the dog was speaking of you;
the snipe was speaking of you in her deep marsh.
It is you are the lonely bird through the woods;
and that you may be without a mate until you find me.
.
You promised me, and you said a lie to me,
that you would be before me where the sheep are flocked;
I gave a whistle and three hundred cries to you,
and I found nothing there but a bleating lamb.
.
You promised me a thing that was hard for you,
a ship of gold under a silver mast;
twelve towns with a market in all of them,
and a fine white court by the side of the sea.
.
You promised me a thing that is not possible,
that you would give me gloves of the skin of a fish;
that you would give me shoes of the skin of a bird;
and a suit of the dearest silk in Ireland.
.
When I go by myself to the Well of Loneliness,
I sit down and I go through my trouble;
when I see the world and do not see my boy,
he that has an amber shade in his hair.
.
It was on that Sunday I gave my love to you;
the Sunday that is last before Easter Sunday.
And myself on my knees reading the Passion;
and my two eyes giving love to you for ever.
.
My mother said to me not to be talking with you today,
or tomorrow, or on the Sunday;
it was a bad time she took for telling me that;
it was shutting the door after the house was robbed.
.
My heart is as black as the blackness of the sloe,
or as the black coal that is on the smith’s forge;
or as the sole of a shoe left in white halls;
it was you that put that darkness over my life.
.
You have taken the east from me; you have taken the west from me;
you have taken what is before me and what is behind me;
you have taken the moon, you have taken the sun from me;
and my fear is great that you have taken God from me!

ZP_Irish labourer_a photograph from around 1850

ZP_Irish labourer_a photograph from around 1850

 

Eavan Boland (born 1944, Dublin)

Quarantine”

.

In the worst hour of the worst season

of the worst year of a whole people

a man set out from the workhouse with his wife.

He was walking – they were both walking – north.

.

She was sick with famine fever and could not keep up.

He lifted her and put her on his back.

He walked like that west and west and north.

Until at nightfall under freezing stars they arrived.

.

In the morning they were both found dead.

Of cold. Of hunger. Of the toxins of a whole history.

But her feet were held against his breastbone.

The last heat of his flesh was his last gift to her.

.

Let no love poem ever come to this threshold.

There is no place here for the inexact

praise of the easy graces and sensuality of the body.

There is only time for this merciless inventory:

.

Their death together in the winter of 1847.

Also what they suffered. How they lived.

And what there is between a man and woman.

And in which darkness it can best be proved.

.     .     .     .     .

ZP_The Jubilant Man, a sculpture by Rowan Gillespie at Ireland Park in Toronto_The Irish Potato Famine, known as An Gorta Mór or The Great Hunger, occurred between 1845 and 1852.  30,000 forced-out or fleeing Irish arrived in Toronto during 1847 alone - their numbers being greater than the actual population of Toronto at the time.

ZP_The Jubilant Man, a sculpture by Rowan Gillespie at Ireland Park in Toronto_The Irish Potato Famine, known as An Gorta Mór or The Great Hunger, occurred between 1845 and 1852. 30,000 forced-out or fleeing Irish arrived in Toronto during 1847 alone – their numbers being greater than the actual population of Toronto at the time.