Audre Lorde: “Afuera” / “Outside”
Posted: February 18, 2014 Filed under: Audre Lorde, English, Spanish | Tags: Black History Month, Black lesbian poets, El Mes de la Historia Afroamericana Comments Off on Audre Lorde: “Afuera” / “Outside”Audre Lorde (18 de febrero, 1934 – 1992)
“Afuera” (1977)
.
1.
En el centro de una ciudad cruel y fantasmal
todas las cosas naturales son extrañas.
Crecí en una confusión genuina
entre césped y maleza y flores
y lo que significaba “de color”
excepto la ropa que no se podía blanquear
y nadie me llamó negra de mierda
hasta que tuve trece.
Nadie linchó a mi mamá
pero lo que nunca había sido
había blanqueado su cara de todo
excepto de furias muy privadas
e hizo que los otros chicos
me llamaran agrandada en la escuela.
Y cuántas veces he vuelto a llamarme
a través de mis huesos confusión
negra
como médula queriendo decir carne
y cuántas veces me cortaste
e hiciste correr en las calles
mi propia sangre
quién creés que soy
que estás aterrorizado de transformarte
o qué ves en mi cara
que no hayas descartado ya
en tu propio espejo
qué cara ves en mis ojos
que algún día
vas a
reconocer como la tuya
A quién maldeciré por haber crecido
creyendo en la cara de mi madre
o por haber vivido temiendo la oscuridad potente
usando la forma de mi padre
ambos me marcaron
con su amor ciego y terrible
y ahora estoy lasciva por mi propio nombre.
.
2.
Entre los cañones de sus terribles silencios
Madre brillante y padre marrón
busco ahora mis propias formas
porque nunca hablaron de mí
excepto como suya
y los pedazos con que tropiezo y me caigo
aún registro como prueba
de que soy hermosa
dos veces
bendecida con las imágenes
de quienes fueron
y quienes pensé alguna vez que eran
de lo que traslado
hacia y a través
y lo que necesito
dejar detrás de mí
más que nada
estoy bendecida en los seres que soy
que han venido a hacer de nuestras caras rotas un todo.
. . .
Audre Lorde (born February 18th, 1934, died 1992)
“Outside”
(first published in The American Poetry Review, Vol.6, #1, Jan.-Feb. 1977)
.
1.
In the centre of a harsh and spectrumed city
all things natural are strange.
I grew up in a genuine confusion
between grass and weeds and flowers
and what “colored” meant
except for clothes you couldn’t bleach
and nobody called me nigger
until I was thirteen.
Nobody lynched my momma
but what she’d never been
had bleached her face of everything
but very private furies
and made the other children
call me yellow snot at school.
.
And how many times have I called myself back
through my bones confusion
black
like marrow meaning meat
for my soul’s hunger
and how many times have you cut me
and run in the streets
my own blood
who do you think me to be
that you are terrified of becoming
or what do you see in my face
you have not already discarded
in your own mirror
what face do you see in my eyes
that you will someday
come to
acknowledge your own.
.
Who shall I curse that I grew up
believing in my mother’s face
or that I lived in fear of the potent darkness
that wore my father’s shape
they have both marked me
with their blind and terrible love
and I am lustful now for my own name.
.
2.
Between the canyons of my parents’ silences
mother bright and father brown
I seek my own shapes now
for they never spoke of me
except as theirs
and the pieces that I stumble and fall over
I still record as proof
that I am beautiful
twice
blessed with the images
of who they were
and who I thought them to be
of what I move toward
and through
and what I need
to leave behind me
for most of all I am
blessed within my selves
who are come
to make our shattered faces whole.
. . .
Otros poemas de Audre Lorde: https://zocalopoets.com/2012/07/01/mujer-y-de-la-casa-de-iemanja-por-audre-lorde-woman-and-from-the-house-of-yemanja-by-audre-lorde/
. . . . .
T’ai Freedom Ford: “fourth: a blues”
Posted: June 29, 2013 Filed under: English | Tags: Black lesbian poets Comments Off on T’ai Freedom Ford: “fourth: a blues”.
T’ai Freedom Ford
“fourth: a blues”
.
…she taste like the colour blue…all beautifully bruised and melancholy on my tongue. like blue glinting golden…bee-stung and swollen in a field of cotton…like blue verging black until all memory’s forgotten…she taste like blues…like muddy waters…like daughters of the dust…like mississippi goddamn…like thrust and thirst…like heartbreak so new it tastes like trust at first…like a wound you must nurse with your own salty tears…she taste like blue…cause that’s the colour of her: fears/fierce…like an azure hue reminiscent of sky breaking wide open…blue like coloured girls who done tried dope when hope wasn’t enough…when that man wasn’t enough…when being tough wasn’t enough…blue like nina’s voice and storm clouds…she rains blue-black…arm, tattooed jack, and sometimes her loyalty is tragic…still she blue like magic…all stardust and confetti and taps of wands…and when the house of cards collapses she responds…with jesus on her breath…eyes watery with devotion…taste like blue: royal and periwinkle and aqua…blue like the fifth chakra vibrating her throat translucent…rocking with holyghost trying to shake loose sin…within her, blues run deep and honeysuckle sweet like grandmama’s hambone on a sunday morn…blue like early morning beckoning sinners toward their reckoning…blue like night sky sucking up light like a magic trick…tragic as guitar strings breaking like my heart…she taste blue like tragedy…all shakespearean and love unfulfilled…but that’s what she do…slips into characters like new skin…ingénue…sparkling blue on silver screens…beautifully blue…making art outta life…all spit-shined and bruised like the blues of the south…a new shade of truth…exploding its name in my mouth…she taste like…
. . .
T’ai Freedom Ford is an American “slam poet” who performs at spoken-word events. Of performance she has playfully said: “Most poets would say it’s about sharing their message or rallying a cause, but let’s be honest: it’s about ego. Signifyin’ and looking cute.”
. . . . .
Loving the Ladies: the poems of Pat Parker
Posted: June 29, 2013 Filed under: English, Pat Parker | Tags: Black lesbian poets Comments Off on Loving the Ladies: the poems of Pat ParkerZP_Pat Parker in 1989_photograph © Robert Giard
Pat Parker
“Sunshine”
.
If it were possible
to place you in my brain
to let you roam around
in and out
my thought waves
you would never
have to ask
why do you love me?
.
This morning as you slept
I wanted to kiss you awake
say I love you till your brain
smiled and nodded yes
this woman does love me.
.
Each day the list grows
filled with the things that are you
things that make my heart jump
yet words would sound strange
become corny in utterance.
.
In the morning when I wake
I don’t look out my window
to see if the sun is shining.
I turn to you instead.
. . .
“I have”
.
i have known
many women
and the you of you
puzzles me.
.
it is not beauty
i have known
beautiful women.
.
it is not brains
i have known
intelligent women.
.
it is not goodness
i have known
good women.
.
it is not selflessness
i have known
giving women.
.
yet you touch me
in new
different
ways.
.
i become sand
on a beach
washed anew with
each wave of you.
.
with each touch of you
i am fresh bread
warm and rising.
.
i become a newborn kitten
ready to be licked
and nuzzled into life.
.
you are my last love
and my first love
you make me a virgin
and I want to give myself to you.
. . .
“Sublimation”
.
It has been said that
sleep is a short death.
I watch you, still,
your breath moving –
soft summer breeze.
Your face is velvet
the tension of our love,
gone.
No, false death is not here
in our bed
just you – asleep
and me – wanting
to make love to you,
writing words instead.
. . .
“Metamorphosis”
.
you take these fingers
bid them soft
a velvet touch
to your loins
.
you take these arms
bid them pliant
a warm cocoon
to shield you
.
you take this shell
bid it full
a sensual cup
to lay with you
.
you take this voice
bid it sing
an uncaged bird
to warble your praise
.
you take me, love,
a sea skeleton
fill me with you
and I become
pregnant with love
give birth
to revolution.
. . .
“For Willyce”
.
When i make love to you
i try
with each stroke of my tongue
to say
i love you
to tease
i love you
to hammer
i love you
to melt
i love you
and your sounds drift down
oh god!
oh jesus!
and i think
here it is, some dude’s
getting credit for what
a woman
has done
again.
. . .
Pat Parker (1944-1989) was a Black-American lesbian and feminist. She was born in Houston, Texas, and lived and worked (at a women’s health centre) in Oakland, California, from 1978 almost up until her death from breast cancer. Racism, misogyny, homophobia – Parker “kept it real” about such facts at numerous poetry readings throughout the 1970s. She had had two marriages – and raised two children from them – but when her second marriage ended in divorce she journeyed down a different road, stating: “After my first relationship with a woman, I knew where I as going.” Known for her “hard truths” in poems such as “Exodus”, “Brother”, “Questions” and “Womanslaughter”, Parker also had a whole other lesser-known side to her as a poet who made love poems – several of which we present here. Some are tender and euphoric and one – “For Willyce” – has Parker’s characteristic ‘edge’.
. . . . .
“Mujer” y “De la Casa de Iemanjá” por Audre Lorde / “Woman” and “From the House of Yemanjá” by Audre Lorde
Posted: July 1, 2012 Filed under: Audre Lorde, English, Spanish, ZP Translator: Lidia García Garay | Tags: Black lesbian poets Comments Off on “Mujer” y “De la Casa de Iemanjá” por Audre Lorde / “Woman” and “From the House of Yemanjá” by Audre LordeAudre Lorde
(Poeta, activista feminista, lesbiana, caribeña-americana, 1934-1992)
*
Mujer
Sueño con un lugar entre tus pechos
para construir mi casa como un refugio
donde siembro
en tu cuerpo
una cosecha infinita
donde la roca más común
es piedra de la luna y ópalo ébano
que da leche a todos mis deseos
y tu noche cae sobre mí
como una lluvia que nutre.
* * *
Audre Lorde
(1934-1992, poet, feminist activist, lesbian, Caribbean-American)
*
Woman
I dream of a place between your breasts
to build my house like a haven
where I plant crops
in your body
an endless harvest
where the commonest rock
is moonstone and ebony opal
giving milk to all of my hungers
and your night comes down upon me
like a nurturing rain.
*
*
*
Translation into Spanish: Anonymous
Traducción al español: Anónima
*
Audre Lorde
De la Casa de Iemanjá
*
Mi madre tenía dos caras y una cacerola
donde cocinó dos hijas y las
hizo hembras
antes de cocinar nuestra cena.
Mi madre tenía dos caras
y una cacerola rota
donde escondió una hija perfecta
que no era yo
yo soy el sol y la luna y por siempre
hambrienta de su mirada.
*
Yo llevo dos mujeres en mi espalda
una oscura y rica y oculta
en el marfil sedienta de la otra
madre
pálida como una bruja
pero constante y familiar
me trae pan y terror
en mi sueño
sus pechos son inmensos y fascinantes
anclas en la tormenta nocturna.
*
Todo esto ha existido
antes
en la cama de mi madre
el tiempo no tiene sentido
no tengo hermanos
y mis hermanas son crueles.
*
Madre necesito
madre necesito
madre necesito tu negritud ahora
como la tierra augusta necesita la lluvia.
*
Yo soy
el sol y la luna y por siempre hambrienta
la afilada orilla
donde el día y la noche se encuentran
y no ser
una.
*
*
Traducción del inglés al español: Lidia García Garay
* * *
Audre Lorde
From the House of Yemanjá
*
My mother had two faces and a frying pot
where she cooked up her daughters
into girls
before she fixed our dinner.
My mother had two faces
and a broken pot
where she hid out a perfect daughter
who was not me
I am the sun and moon and forever hungry
for her eyes.
*
I bear two women upon my back
one dark and rich and hidden
in the ivory hungers of the other
mother
pale as a witch
yet steady and familiar
brings me bread and terror
in my sleep
her breasts are huge exciting anchors
in the midnight storm.
*
All this has been
before
in my mother’s bed
time has no sense
I have no brothers
and my sisters are cruel.
*
Mother I need
mother I need
mother I need your blackness now
as the august earth needs rain.
I am
*
the sun and moon and forever hungry
the sharpened edge
where day and night shall meet
and not be
one.
*
A Tenacious Light: poems by Dionne Brand
Posted: July 1, 2012 Filed under: Dionne Brand, English | Tags: Black lesbian poets Comments Off on A Tenacious Light: poems by Dionne Brand
I saw this woman once in another poem, sitting,
throwing water over her head on the rind of a country
beach as she turned toward her century. Seeing her
no part of me was comfortable with itself. I envied her,
so old and set aside, a certain habit washed from her
eyes. I must have recognized her. I know I watched
her along the rim of the surf promising myself, an old
woman is free. In my nerves something there
unraveling, and she was a place to go, believe me,
against gales of masculinity but in that then, she was
masculine, old woman, old bird squinting at the
water’s wing above her head, swearing under her
breath. I had a mind that she would be graceful in me
and she might have been if I had not heard you
laughing in another tense and lifted my head from her
dry charm.
*
You ripped the world open for me. Someone said this
is your first lover you will never want to leave her. My
lips cannot say old woman darkening anymore, she
is the peace of another life that didn’t happen and
couldn’t happen in my flesh and wasn’t peace but
flight into old woman, prayer, to the saints of my
ancestry, the gourd and bucket carrying women who
stroke their breast into stone shedding offspring and
smile. I know since that an old woman, darkening,
cuts herself away limb from limb, sucks herself white,
running, skin torn and raw like a ball of bright light,
flying, into old woman. I only know now that my
longing for this old woman was longing to leave the
prisoned gaze of men.
_____
Dionne Brand was born in Trinidad in 1953
and graduated from University of Toronto in 1975.
She is Black, Lesbian, Feminist – three powerful things.
Toronto’s Poet Laureate, she is also the 2011 winner of
The Griffin Poetry Prize for her long poem Ossuaries.
The companion poems above are excerpted from
Brand’s series “Hard against the Soul”, part of
her collection No Language is Neutral.
© 1990, Dionne Brand
_____
This is a ZP post originally dated August 31st, 2011.
We re-post it today, July 1st, 2012, as part of our survey of gay and lesbian poets.