Auld Lang Syne: Tonight at Midnight

_____

 

Auld Lang Syne

 

 

Should auld acquaintance be forgot,

And never brought to mind?

Should auld acquaintance be forgot,

And auld lang syne!

 

For auld lang syne, my jo,

For auld lang syne.

We’ll tak a cup o’ kindness yet,

For auld lang syne.

 

And surely ye’ll be your pint stowp!

And surely I’ll be mine!

And we’ll tak a cup o’ kindness yet,

For auld lang syne.

 

For auld lang syne, my jo,

For auld lang syne.

We’ll tak a cup o’ kindness yet,

For auld lang syne.

 

We twa hae run about the braes,

And pou’d the gowans fine;

But we’ve wander’d mony a weary fit,

Sin’ auld lang syne.

 

For auld lang syne, my jo,

For auld lang syne.

We’ll tak a cup o’ kindness yet,

For auld lang syne.

 

We twa hae paidl’d in the burn,

Frae morning sun till dine;

But seas between us braid hae roar’d

Sin’ auld lang syne.

 

For auld lang syne, my jo,

For auld lang syne.

We’ll tak a cup o’ kindness yet,

For auld lang syne.

 

And there’s a hand, my trusty fere!

And gie’s a hand o’ thine!

And we’ll tak a right gude-willie waught,

For auld lang syne.

 

For auld lang syne, my jo,

For auld lang syne.

We’ll tak a cup o’ kindness yet,

For Auld Lang Syne.

 

_____

 

 

“Old Long Past” (For the Sake of Times Gone By)

 

 

And for old long past, my joy*,

For old long past,

We’ll take a cup of kindness yet,

For the sake of times gone by.

 

CHORUS:    Should old acquaintance be forgot,

And never brought to mind?

Should old acquaintance be forgot,

And days of old long past.

 

And surely you’ll pay for your 3-pint-vessel!

And surely I’ll pay for mine!

And we’ll take a cup of kindness yet,

For the sake of times gone by.

 

CHORUS

 

We two have run about the hillsides

And pulled wild daisies fine;

But we’ve wandered many a weary foot

Since old long past.

 

CHORUS

 

We two have paddled in the stream,

From morning sun till noon;

But seas between us broad have roared

Since old long past.

 

CHORUS

 

And here’s a hand, my trusty friend!

And give me a hand of yours!

And we’ll take a right good-will drink,

For the sake of times gone by.

 

CHORUS:    Should old acquaintance be forgot,

And never brought to mind?

Should old acquaintance be forgot,

And days of Old Long Past.

 

 

 

*joy — “joy” means sweetheart, but “dear” or “friend”

may also be sung

 

_____

 

Robert Burns (1759-1796) wrote his poem “Auld Lang Syne”

in 1788.  It is in Scots’ dialect which is not, strictly speaking,

a hybrid of Gaelic and English, since it is derived also from

other linguistic strains.

A variant is spoken in Northern Ireland, where it is known as

Ulster Scots.

“Auld Lang Syne” has become a New Year’s Eve favourite,

the words sung to a traditional folk melody at the stroke

of midnight and into the first minutes of January 1st.

 

_____


Good King Wenceslas: English Carol, Czech Tale

_____

 

Good King Wenceslas

 

 

Good King Wenceslas looked out

On the Feast of Stephen,

When the snow lay round about

Deep and crisp and even,

Brightly shone the moon that night

Though the frost was cruel,

When a poor man came in sight

Gathering winter fuel.

 

 

“Hither, page, and stand by me,

If thou know’st it, telling

– Yonder peasant, who is he?

Where and what his dwelling?”

“Sire, he lives a good league hence

Underneath the mountain,

Right against the forest fence

By Saint Agnes’ fountain.”

 

 

“Bring me flesh and bring me wine

Bring me pine logs hither,

Thou and I will see him dine

When we bear him thither.”

Page and monarch, forth they went

Forth they went together,

Through the rude wind’s wild lament

And the bitter weather.

 

 

“Sire, the night is darker now

And the wind blows stronger,

Fails my heart, I know not how,

I can go no longer.”

“Mark my footsteps, my good page,

Tread thou in them boldly,

Thou shalt find the winter’s rage

Freeze thy blood less coldly.”

 

 

In his master’s steps he trod

Where the snow lay dinted,

Heat was in the very sod

Which the Saint had printed.

Therefore, Christians, All, be sure

– Wealth or rank possessing –

Ye who now will bless the poor

Shall yourselves find blessing !

 

 

_____

 

John Mason Neale wrote the lyrics for this English carol

in 1853.  He based them upon a translation of the story

“Sankt Wenceslaw und Podiwin”, written in

1847 by Czech nationalist poet, Václav Alois Svoboda.

The name Václav is, in fact, Wenceslas in its original Czech.

 

Wenceslas was real;  he lived from 907 to 935, was the first

generation of his family to be Christianized, and became

Duke of Bohemia.  Known for his piety and kindness, still he

came to a gory end at the hands of his brother Boleslaw (urged

on by their mother).

A cult of Wenceslas spread quickly after his death – later seen

as a martyrdom – and he became a prime example of what in

the High Middle Ages would be called rex justus – the righteous

king – a monarch whose power derives from moral goodness

not brute force.

He is the patron saint of The Czech Republic, where he is known

as Svatý Václav (Saint Wenceslas).

 

* The Czech version of the carol is featured above. *

 

_____


Su Nombre es Jesús y Soy Su Niña / His Name is Jesus and I’m His Child : Zella Jackson Price

_____

Soy Su Niña

(canción evangélica de Zella Jackson Price, 1982)


Es posible que no sea lo mejor de todo

o tenga lo mejor de algo,

algunas veces me siento que soy

lo menos de todo.

Pero conozco a alguien que tiene todo

Y Él es mi Todo,

Y yo estoy feliz de

tan sólo saber que:

Soy Su Niña.

Su nombre es Jesús,

El Hijo Recto de Diós,

El Lirio del Valle y

La Estrella más Brillante de la Mañana.

Su nombre es Jesús,

y Él es mi Todo

– Ohhh sí –

y estoy feliz de

tan sólo saberlo:

¡ Soy Su Niña !

*

Traducción del inglés al español:   Lidia García Garay

Translation from English into Spanish:   Lidia García Garay

*

I’m His Child

(as sung by Zella Jackson Price, 1982)

I may not be the best of anything
Or have the best of anything,
Sometimes I feel like I’m the least of all.
But I know someone who has everything
And He is my Everything,
And I happy just to know that

I’m His Child !

His name is Jesus,

the Righteous Son of God, the
Lily of the Valley and the

Brightest Morning Star.
His name is Jesus, and
He’s my Everything

– Ohhh yes he is –
And I am happy just to know that

I’m His Child !

_____


Iesus Ahattonnia / Jesus, He is Born (The Huron Carol)

.

Iesus Ahattonnia

.

Ehstehn yayau deh tsaun we yisus ahattonnia
O na wateh wado:kwi nonnwa ‘ndasqua entai
ehnau sherskwa trivota nonnwa ‘ndi yaun rashata
Iesus Ahattonnia, Ahattonnia, Iesus Ahattonnia

.

Ayoki onki hm-ashe eran yayeh raunnaun
yauntaun kanntatya hm-deh ‘ndyaun sehnsatoa ronnyaun
Waria hnawakweh tond Yosehf sataunn haronnyaun
Iesus Ahattonnia, Ahattonnia, Iesus Ahattonnia

.

Asheh kaunnta horraskwa deh ha tirri gwames
Tishyaun ayau ha’ndeh ta aun hwa ashya a ha trreh
aundata:kwa Tishyaun yayaun yaun n-dehta
Iesus Ahattonnia, Ahattonnia, Iesus Ahattonnia

.

Dau yishyeh sta atyaun errdautau ‘ndi Yisus
avwa tateh dn-deh Tishyaun stanshi teya wennyau
aha yaunna torrehntehn yataun katsyaun skehnn
Iesus Ahattonnia, Ahattonnia, Iesus Ahattonnia

.

Eyeh kwata tehnaunnte aheh kwashyehn ayehn
kiyeh kwanaun aukwayaun dehtsaun we ‘ndeh adeh
tarrya diskwann aunkwe yishyehr eya ke naun sta
Iesus Ahattonnia, Ahattonnia, Iesus Ahattonnia.

 

.     .     .

 

“Jesus, He is Born”

.

Have courage, you who are human beings:

Jesus, he is born

The okie spirit who enslaved us has fled
Don’t listen to him for he corrupts the spirits of our thoughts

Jesus, he is born

The okie spirits who live in the sky are coming with a message
They’re coming to say, “Rejoice!
Mary has given birth. Rejoice!”

Jesus, he is born

Three men of great authority have left for the place of his birth
Tiscient, the star appearing over the horizon leads them there
That star will walk first on the path to guide them

Jesus, he is born

The star stopped not far from where Jesus was born
Having found the place it said,
“Come this way”

Jesus, he is born

As they entered and saw Jesus they praised his name
They oiled his scalp many times, anointing his head
with the oil of the sunflower

Jesus, he is born

They say, “Let us place his name in a position of honour
Let us act reverently towards him for he comes to show us Mercy

It is the will of the spirits that you love us, Jesus,
and we wish that we may be adopted into your family.”

Jesus, he is born.

 

.     .     .

English translation from Huron:  John Steckley

.

Editor’s note:

There is a famous version of The Huron Carol

in English (“T’was in the Moon of Wintertime…”) but its

lyrics were written by Jesse Edgar Middleton and are not

a translation of Brébeuf’s Huron original.

 

_____

The Huron Carol / Iesus Ahattonnia is the oldest

Canadian Christmas carol.  It dates from 1643, with

lyrics composed for the purpose of religious conversion,

in the Huron language (Wendat) by Father Jean de Brébeuf,

a Jesuit priest at Sainte-Marie aux-pays-des-Huron, the

French-Canadian Christian mission that was near what is

now Georgian Bay, Ontario.

Brébeuf was burned at the stake during the Beaver Wars, an

aggressive push for land expansion plus control of the fur trade

that involved the Dutch, English, French, and

the Iroquois Confederacy.

The Huron were casualties of this struggle, and dispersed to

Québec in the east and, eventually, southwest to Oklahoma.

In the 21st century the Huron/Wendat People are revitalizing their

language which, 50 years ago, was virtually extinct.

.     .     .     .     .


At bukas ay araw ng Pasko… / And tomorrow will be Christmas Day…

 

“Noche Buena”

 

 

Kay sigla ng gabi
Ang lahat ay kay saya
Nagluto ang Ate ng manok na tinola
Sa bahay ng Kuya ay mayro’ng litsonan pa
Ang bawat tahanan may handang iba’t iba

 

Tayo na giliw
Magsalo na tayo
Mayro’n na tayong
Tinapay at keso
Di ba Noche Buena
Sa gabing ito
At bukas ay araw ng Pasko

 

*

 

A Filipino Christmas song:

“Holy Night” (Christmas Eve)

 

 

How lively the night,

How jolly one and all !

Older Sis has cooked tinola,

At Big Bro’s they’re roasting lechón !

Everyone’s prepared something different…

Shall we go, my belovéd,

and join in the feasting ?

Already we have bread and cheese !

Isn’t Noche Buena this very night ?

And tomorrow will be Christmas Day !

 

*

Music: Felipe de León
Lyrics (Tagalog): Levi Celerio

*

tinola – chicken stew

lechón – whole roasted pig

_____


Los peregrinos piden posada: el villancico “En Nombre del Cielo”

_____

 

En Nombre del Cielo

 

 

José:

En Nombre del Cielo

os pido posada,

Pues no puede andar

mi esposa amada.

 

Huesped:

Aquí no es mesón,

Sigan adelante,

Yo no puedo abri,

No sea algún tunante.

 

José:

No seas inhumano,

Tennos caridad.

Que el Díos de los Cielos

Te lo premiará.

 

Huesped:

Ya se pueden ir

Y no molestar,

Porque si me enfado

Los voy a apalear.

 

José:

Mi esposa es María,

Es Reina del Cielo,

Y madre va a ser

Del Divino Verbo.

 

Huesped:

¿Eres tú, José?

¿Tu esposa es María?

¡Entren, peregrinos,

No los conocía!

 

 

_____

 

 

In the Name of Heaven

(Pray Give Us Lodging)

 

 

Joseph:

Pray, give us lodging, dear sir,

in the Name of Heaven,

All day since morning to travel we’re given,

Mary, my wife, is expecting a child,

She must shelter this night,

Let us in !  Let us in !

 

Host:

You cannot stop here,

I won’t make of my house an inn,

I do not trust you, your story is thin.

Rob me you might – then run away

— find somewhere else you can stay,

Go away !  Go away !

 

Joseph:

Please show us pity !  Your heart can’t be this hard !

Look at poor Mary, so worn and so tired !

We are most poor but I’ll pay what I can

— God will reward you, good man,

Let us in !  Let us in !

 

Host:

You try my patience, I’m tired and must rest,

I’ve told you nicely – but still you insist.

If you don’t stop this bother, I’ll fix you

— I guarantee !

Go away !  Go away !

 

Joseph:

Sir, I must tell you, my wife is

The Queen of Heaven,

chosen by God to deliver His Son.

JESUS is coming to earth on this eve

(O Heaven, make him believe !)

Let us in !  Let us in !

 

Host:

Joseph, dear Joseph – O how am I so blind ?

Not to know you and The Virgin so fine !

Enter, blesséd pilgrims, my house is your own

— Praise be to God on His throne !

Please come in !  Please come in !

 

 

_____

 

A Christmas tradition in rural México and especially

its Indigenous towns, “Las Posadas” – “The Lodgings” –

re-enacts Joseph and pregnant Mary’s search for shelter

(and a birthing place for Jesus) along the road to

Bethlehem.

Participants in the Posada procession go from house to

house singing call-and-response verses till the Gospel

story is fulfilled.  This community ritual is a kind of

novena, and for the devout it requires nine days of

“posadas” in order to properly arrive at the precious

hour of Christmas Eve which, in Spanish, is called

Noche Buena (“Holy Night”).

“En Nombre del Cielo” is a classic Mexican carol.


Jakuren: The First Day of Winter

 

Poems of Mediaeval Japan by

Jakuren (Buddhist monk and poet:  1139-1202)

* Transliterated Japanese on the left *

 

 

yomosugara                               throughout the night

kusa no iori ni                                      we kept the brushwood burning

shiba taite                                   in my lowly hut,

katarishi koto o                          and the words that we exchanged

itsuka wasuren                                     I never shall forget

 

*     *     *

 

miyamabi ni                               deep in this mountain

fuyugomorisuru                         I keep the winter indoors:

oi no mi o                                  who would care to call

tare ka towamashi                      on so aged a body,

kimi naranaku ni                        were it not for you?

 

*     *     *

 

izukuyori                                   you found a path in my dream

yoru no yumeji o                       the mountain

tadorikoshi                                 is deeply in snow now

miyama wa imada

yuki no fukakini

 

*     *     *

 

ikanishite                                   wondering how you

kimi imasuran                                      have been of late, as the breath

konogoro no                                        of snow in the wind

yukige no kaze no                      blows colder every day

hibi ni samuki ni

 

*     *     *


Mon Pays – c’est l’Hiver ! “Québécitude” in song

MY COUNTRY

My country’s not a country, it’s winter,
my garden’s not a garden, it’s a vast plain,
my road is no road – it’s the snow !
My country’s not a country – it’s winter !

A ceremony all in white
where snow marries wind,
in this blizzard-land

my father built a house
and I’m going to honour
his ways, his example…
My guest room will be where
you return, season by season
and you’ll build too – right beside it.

My country’s not a country, it’s winter,
My refrain’s no refrain, it’s a gust of wind,
My house isn’t mine – it’s the winter-chill’s !

My country’s not a country – it’s winter !

All around my solitary land

I cry out before the silence,

to everyone on earth:
My house is yours, too.
Inside four walls of ice
with time and space
I make the fire, and a place
for People of the Horizon
– and these people are of my people.

My country’s not a country, it’s winter,
my garden’s not a garden, it’s the vast plain,
my road is no road – it’s  the snow !
My country’s not a country – it’s winter !

My country’s no country but the contrary
of country – neither land nor nation,
my song’s not a song – it’s my life !
And for you I wish to master these winters !

_____

MON PAYS

Mon pays ce n’est pas un pays, c’est l’hiver
Mon jardin ce n’est pas un jardin, c’est la plaine
Mon chemin ce n’est pas un chemin, c’est la neige
Mon pays ce n’est pas un pays, c’est l’hiver.

Dans la blanche cérémonie où la neige au vent se marie
Dans ce pays de poudrerie mon père a fait bâtir maison
Et je m’en vais être fidèle à sa manière à son modèle
La chambre d’amis sera telle qu’on viendra des autres saisons
pour se bâtir à côté d’elle.

Mon pays ce n’est pas un pays, c’est l’hiver
Mon refrain ce n’est pas un refrain, c’est rafale
Ma maison ce n’est pas ma maison, c’est froidure
Mon pays ce n’est pas un pays, c’est l’hiver.

De ce grand pays solitaire je crie avant que de me taire
A tous les hommes de la terre ma maison c’est votre maison
Entre mes quatre murs de glace je mets mon temps et mon espace
À préparer le feu, la place pour les humains de l’horizon
Et les humains sont de ma race.

Mon pays ce n’est pas un pays, c’est l’hiver
Mon jardin ce n’est pas un jardin, c’est la plaine
Mon chemin ce n’est pas un chemin, c’est la neige
Mon pays ce n’est pas un pays, c’est l’hiver.

Mon pays ce n’est pas un pays, c’est l’envers
D’un pays qui n’était ni pays ni patrie
Ma chanson ce n’est pas une chanson, c’est ma vie
C’est pour toi que je veux posséder mes hivers.

_____

Gilles Vigneault (born 1928) wrote “Mon Pays” for a 1965 NFB film,

La neige a fondu sur la Manicouagan.  This new folk song became an

instant classic – emblematic for Québec’s growing nationalist movement.

Editor’s note:

Almost two generations later the song does show its age, for the Canadian

essential-ideal of The Great White North – intrinsic to Canadians outside of

Québec as well – holds less sway in our collective identity.   Too, “Mon Pays”

is dated in that it captures the spirit of an isolated – if friendly – culture:

not the rumbling, restless Québec of the 1960s.  Rather the lyrics might well

describe a People more remote in time – the Far-North Inuit of the 19th-century.

Still, if there has been a place in Canada where winter is embraced and

not merely borne, it is Québec, where coureurs de bois and habitants

were the first of Canada’s White arrivals to adapt the Naskapi/Montagnais

Native People’s’ inventions – toboggans and snowshoes – to daily use both

practical and recreational.

And Québec leads the nation for Winter fun – not drear – with many jovial

outdoor festivals and an entrenched culture of open-air ice-skating parties !

_____

Translation from French into English:  Alexander Best


Hanukkah Poems: Light the Candle !

 

Mark Strand (born 1934)

“The Coming of Light”

 

 

Even this late it happens:

the coming of love, the coming of light.

You wake and the candles are lit as if by themselves,

stars gather, dreams pour into your pillows,

sending up warm bouquets of air.

Even this late the bones of the body shine

and tomorrow’s dust flares into breath.

 

 

 

_____

 

 

Aileen Fisher (1906-2002)

“Light the Festive Candles”

 

 

Light the first of eight tonight—

the farthest candle to the right.

 

Light the first and second, too,

when tomorrow’s day is through.

 

Then light three, and then light four—

every dusk one candle more

 

Till all eight burn bright and high,

honouring a day gone by

 

When the Temple was restored,

rescued from the Syrian lord,

 

And an eight-day feast proclaimed—

The Festival of Lights—well named

 

To celebrate the joyous day

when we regained the right to pray

to our own God in our own way.

 

_____

 


יהודה עמיחי / Yehuda Amichai : “The two of us together and each one alone”

יהודה עמיחי

שנינו ביחד וכל אחד לחוד

ילדה שלי, עוד קיץ עבר
ואבי לא בא ללונה פארק.
הנדנדות מוסיפות לנוד.
שנינו ביחד וכל אחד לחוד.

אופק הים מאבד ספינותיו –
קשה לשמר על משהו עכשיו.
מאחורי ההר חכו הלוחמים.
כמה זקוקים אנו לרחמים.
שנינו ביחד וכל אחד לחוד.

ירח מנסר את העבים לשניים –
בואי ונצא לאהבת בינים.
רק שנינו נאהב לפני המחנות.
אולי אפשר עוד הכל לשנות.
שנינו ביחד וכל אחד לחוד.

אהבתי הפכה אותי כנראה
כים מלוח לטפות מתוקות של יורה;
אני מובא אליך לאט ונופל.
קבליני. אין לנו מלאך גואל.
כי שנינו ביחד .כל אחד לחוד.

_____

 

Look,  sweetie, one more summer’s turned dark
And my dad hasn’t come to the amusement park.
The swings keep swinging on their own.
The two of us together and each one alone.

 

The horizon loses its ships off the shore.
Hard to hold on to a thing anymore.
The fighters waited behind the hill.
How much we need of mercy still !
The two of us together and each one alone.

 

The moon is sawing the clouds in two.
Let hand-to-hand love bring me against you.
We alone will make love where the two camps fight.
Perhaps we can still make everything right.
The two of us together and each one alone.

 

As the first sweet rain was once salt sea
So,  it would seem,  has my love changed me.
I am brought to you slowly,  and fall.  My dear,
Receive me.   No angel redeems us here.
Because the two of us are together.  Each is alone.

 

_____

 

Yehuda Amichai (1924 – 2000) was one of

the first poets to compose in colloquial Hebrew.

Written in 1955, this simple, complex poem

makes reference to lease contracts:

“the two of us together and each one alone” – direct

from Hebrew and equivalent to the English legal

phrase  “both jointly and severally” — which we

can now read as the Palestinian-Israeli land

struggle.   The poem also draws upon a popular Israeli

children’s song of the 1950s:

“Daddy, come, let’s go to the Amusement Park !”

 

_____

 

We are grateful to A. Z.  Foreman for his translation

of the above poem from Hebrew into English.

Visit his website:   poemsintranslation.blogspot.com