Countee Cullen: poems from “The Black Christ” (1929) and “Color” (1925)
Posted: February 22, 2016 Filed under: Countee Cullen, English | Tags: Black History Month poems, Harlem Renaissance poets Comments Off on Countee Cullen: poems from “The Black Christ” (1929) and “Color” (1925)Poems from The Black Christ and Other Poems (1929) by Countee Cullen (1903-1946)
. . .
Little Sonnet to Little Friends
.
Let me not the proud of heart condemn
Me that I mould my ways to hers,
Groping for healing in a hem
No wind of passion ever stirs;
Nor let them sweetly pity me
When I am out of sound and sight;
They waste their time and energy;
No mares encumber me at night.
.
Always a trifle fond and strange,
And some have said a bit bizarre,
Say, “Here’s the sun,” I would not change
It for my dead and burnt-out star.
Shine as it will, I have no doubt
Some day the sun, too, may go out.
. . .
Mood
.
I think an impulse stronger than my mind
May some day grasp a knife, unloose a vial,
Or with a little leaden ball unbind
The cords that tie me to the rank and file.
My hands grow quarrelsome with bitterness,
And darkly bent upon the final fray;
Night with its stars upon a grave seems less
Indecent than the too complacent day.
.
God knows I would be kind, let live, speak fair,
Requite an honest debt with more than just,
And love for Christ’s dear sake these shapes that wear
A pride that had its genesis in dust,–
The meek are promised much in a book I know
But one grows weary turning cheek to blow.
Minutely Hurt
.
Since I was minutely hurt,
Giant griefs and woes
Only find me staunchly girt
Against all other blows.
.
Once an atom cracks the heart
All is done and said;
Poison, steel, and fiery dart
May then be buffeted.
. . .
Revelation
.
Pity me, I said;
But you cried, Pity you;
And suddenly I saw
Higher than my own grief grew.
I saw a tree of woe so tall,
So deeply boughed with grief,
That matched with it my bitter plant
Was dwarfed into a leaf.
. . .
Song in Spite of Myself
.
Never love with all your heart,
It only ends in aching;
And bit by bit to the smallest part
That organ will be breaking.
.
Never love with all your mind,
It only ends in fretting;
In musing on sweet joys behind,
Too poignant for forgetting.
.
Never love with all your soul,
For such there is no ending,
Though a mind that frets may find control,
And a shattered heart find mending.
.
Give but a grain of the heart’s rich seed,
Confine some under cover,
And when love goes, bid him God-speed.
And find another lover.
. . .
One Day I Told My Love
.
One day I told my love my heart,
Disclosed it out and in;
I let her read the ill-writ chart
Small with virtue, big with sin.
.
I took it from the hidden socket
Where it was wont to grieve;
“I’ll turn it,” I said, “into a locket,
Or a bright band for your sleeve.”
.
I let her hold the naked thing
No one had seen before;
And had she willed, her hand might wring
It dry and drop it to the floor.
.
It was a gentle thing she did,
The wisest and the best;
“The proper place for a heart,” she said
“Is back in the sheltering breast.”
. . .
Black Majesty
(After reading John W. Vandercook’s chronicle of sable glory)
.
These men were kings, albeit they were black,
Christophe and Dessalines and L’Ouverture;
Their majesty has made me turn my back
Upon a plaint I once shaped to endure.
These men were black, I say, but they were crowned
And purple-clad, however brief their time.
Stifle your agony; let grief be drowned;
We know joy had a day once and a clime.
.
Dark gutter-snipe, black sprawler-in-the-mud,
A thing men did a man may do again.
What answer filters through your sluggish blood
To these dark ghosts who knew so bright a reign?
“Lo, I am dark, but comely,” Sheba sings.
“And we were black,” three shades reply, “but kings.”

Song of Praise
.
Who lies with his milk-white maiden,
Bound in the length of her pale gold hair,
Cooled by her lips with the cold kiss laden,
He lies, but he loves not there.
.
Who lies with his nut-brown maiden,
Bruised to the bone by her sin-black hair,
Warmed with the wine that her full lips trade in,
He lies, and his love lies there.
Four poems from Countee Cullen’s Color (1925)
.
Caprice
.
“I’ll tell him, when he comes,” she said,
“Body and baggage, to go,
Though the night be darker than my hair,
And the ground be hard with snow.”
.
But when he came with his gay black head
Thrown back, and his lips apart,
She flipped a light hair from his coat,
And sobbed against his heart.
. . .
Sacrament
.
She gave her body for my meat,
Her soul to be my wine,
And prayed that I be made complete
In sunlight and starshine.
.
With such abandoned grace she gave
Of all that passion taught her,
She never knew her tidal wave
Cast bread on stagnant water.
. . .
Bread and Wine
.
From death of star to new star’s birth,
This ache of limb, this throb of head,
This sweaty shop, this smell of earth,
For this we pray, “Give daily bread.”
.
Then tenuous with dreams the night,
The feel of soft brown hands in mine,
Strength from your lips for one more fight:
Bread’s not so dry when dipped in wine.
. . .
Gods
.
I fast and pray and go to church,
And put my penny in,
But God’s not fooled by such slight tricks,
And I’m not saved from sin.
.
I cannot hide from Him the gods
That revel in my heart,
Nor can I find an easy word
To tell them to depart:
.
God’s alabaster turrets gleam
Too high for me to win,
Unless He turns His face and lets
Me bring my own gods in.
. . . . .