Etheridge Knight: “My Life, the quality of which…”

Street Scene_Lenox Avenue at 116th in Harlem_1960s

Street Scene_Lenox Avenue at 116th in Harlem_1960s

Etheridge Knight (Corinth, Mississippi, USA, 1931-1991)

My Life, the quality of which…”

.

My Life, the quality of which,

from the moment my father grunted and ‘cummed’,

until now, as the sounds of my words

bruised your ears,

is,

and can be felt,

in the one word:

Desperation

but you have to feel for it.

. . .

A WASP Woman visits a Black Junkie in Prison”

.

After explanations and regulations, he

Walked warily in.

Black hair covered his chin, subscribing to

Villainous ideal.

This can not be real,” he thought, “this is a

Classical mistake;

This is a cake baked with embarrassing icing;

Somebody’s got

Likely as not, a big fat tongue in cheek!

What have I to do

With a prim and proper-blooded lady?”

Christ in deed has risen

When a Junkie in prison visits with a WASP woman.

.

Hold your stupid face, man,

Learn a little grace, man; drop a notch the sacred shield.

She might have good reason,

Like: ‘I was in prison and ye visited me not,’ or—some such.

So sweep clear

Anachronistic fear, fight the fog,

And use no hot words.”

.

After the seating

And the greeting, they fished for a denominator,

Common or uncommon;

And could only summon up the fact that both were human.

Be at ease, man!

Try to please, man!—the lady is as lost as you:

You got children, Ma’am?’” he said aloud.

.

The thrust broke the dam, and their lines wiggled in the water.

She offered no pills

To cure his many ills, no compact sermons, but small

And funny talk:

My baby began to walk… simply cannot keep his room clean…”

Her chatter sparked no resurrection and truly

No shackles were shaken

But after she had taken her leave, he walked softly,

And for hours used no hot words.

. . .

A Fable”

.

Once upon a today and yesterday and nevermore there were 7 men and women all locked / up in prison cells. Now these 7 men and women were innocent of any crimes; they were in prison because their skins were black. Day after day, the prisoners paced their cells, pining for their freedom. And the non-black jailers would laugh at the prisoners and beat them with sticks and throw their food on the floor. Finally, prisoner #1 said, “I will educate myself and emulate the non-coloured people. That is the way to freedom—c’mon, you guys, and follow me.” “Hell, no,” said prisoner #2. “The only way to get free is to pray to my God and he will deliver you like he delivered Daniel from the lion’s den, so unite and follow me.” “Bullshit,” said prisoner #3. “The only way / out is thru this tunnel i’ve been quietly digging, so c’mon, and follow me.” “Unh-uh,” said prisoner #4, “that’s too risky. The only right / way is to follow all the rules and don’t make the non-coloured people angry, so c’mon brothers and sisters and unite behind me.” “Fuck you!” said prisoner #5, “The only way / out is to shoot our way out, if all of you get / together behind me.” “No,” said prisoner #6, “all of you are incorrect; you have not analyzed the political situation by my scientific method and historical meemeejeebee. All we have to do is wait long enough and the bars will bend from their own inner rot. That is the only way.” “Are all of you crazy,” cried prisoner #7. “I’ll get out by myself, by ratting on the rest of you to the non-coloured people. That is the way, that is the onlyway!” “No-no,” they all cried, “come and follow me. I have the / way, the only way to freedom.” And so they argued, and to this day they are still arguing; and to this day they are still in their prison cells, their stomachs / trembling with fear.

. . .

Feeling Fucked Up”

.

Lord she’s gone done left me done packed / up and split   

and I with no way to make her

come back and everywhere the world is bare

bright bone white    crystal sand glistens

dope death dead dying and jiving drove

her away made her take her laughter and her smiles   

and her softness and her midnight sighs—

Fuck Coltrane and music and clouds drifting in the sky   

fuck the sea and trees and the sky and birds

and alligators and all the animals that roam the earth   

fuck marx and mao fuck fidel and nkrumah and   

democracy and communism fuck smack and pot   

and red ripe tomatoes fuck joseph fuck mary fuck   

god jesus and all the disciples fuck fanon nixon   

and malcolm fuck the revolution fuck freedom fuck   

the whole muthafucking thing

all i want now is my woman back

so my soul can sing.

Book cover_ Poems from Prison by Etheridge Knight_1968

Etheridge Knight was many things during his life: one of seven children whose family went from Mississippi to Kentucky to Indianapolis; shoe-shine boy; poolhall habitué; medic during the Korean War; heroin addict; ex-temporaneous “toaster”; purse snatcher + 8-year prison inmate; a serious and dedicated poet. His poetry volumes included Poems from Prison (1968) and Belly Songs and Other Poems (1973).

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Etheridge Knight: 9 “Senryu”

ZP_January 27th 2014 B

Etheridge Knight (Corinth, Mississippi, USA, 1931-1991)

.

1

Eastern guard tower

glints in sunset; convicts rest

like lizards on rocks.

.

2

The piano man

is stingy, at 3 a.m.

his songs drop like plum.

.

3

Morning sun slants cell.

Drunks stagger like cripple flies

On jailhouse floor.

.

4

To write a blues song

is to regiment riots

and pluck gems from graves.

.

5

A bare pecan tree

slips a pencil shadow down

a moonlit snow slope.

.

6

The falling snow flakes

Cannot blunt the hard aches nor

Match the steel stillness.

.

7

Under moon shadows

A tall boy flashes knife and

Slices star bright ice.

.

8

In the August grass

Struck by the last rays of sun

The cracked teacup screams.

.

9

Making jazz swing in

Seventeen syllables AIN’T

No square poet’s job.

ZP_January 27th 2014 A

These short poems, written by Etheridge Knight when he was in prison for robbery (1960-1968), are a kind of hybrid between haiku and senryusenryu having the same structure as haiku but being concerned directly with human beings, whether the tone be serious, ironic or humorous. In poem #9 the word AIN’T is “boldfaced” on purpose – a reference to its importance in Black-American vernacular.

For more haiku composed in English click this link:   https://zocalopoets.com/category/richard-wright/

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