Nua-bhàrdachd: Gàidhlig / Contemporary Gaelic poetry from Scotland: Meg Bateman

ZP_A nineteenth-century illustration, Spear-plume thistle or Cirsium vulgare, which was the original native Scotch Thistle until the arrival in the middle ages of the tougher, spinier and more impressive Onopordum acanthium.

ZP_A nineteenth-century illustration, Spear-plume thistle or Cirsium vulgare, which was the original native Scotch Thistle until the arrival in the middle ages of the tougher, spinier and more impressive Onopordum acanthium.

 

Meg Bateman (born 1959, Edinburgh, Scotland)

“Mother”

.

We looked at the stars for a while

Before we turned in with the dogs,

And you said it was high time

You learnt their names properly.

.

But soon you will be among them yourself

And I will be the one trying to name you;

You whose nature I have seen

Only as their faint points of light –

.

As you labour behind duty,

Behind house-work, farm-work, books,

And who knows if you have your reward

For your care and effort and exhaustion.

.

I wish I could kindle a joy in you

That would let me see you whole

Or you won’t be further when you go

Than you were tonight at my side.

 

.     .     .

 

“Màthair”

.

Bha sinn a’coimhead nan rionnag

mus do thionndaidh sinn a-steach leis na coin,

is thuirt thu gum bu mhithich dhut

na h-ainmean aca ionnsachadh gu ceart.

.

Ach chan fhada gus am bi thu fhèin nam measg

’s is mise a bhios a’feuchainn ri d’ainmeachadh,

thusa aig nach fhaca mi do nàdar

ach mar phriobadh fann an cuid solais –

.

Is tu riamh an ceann do dhleastanais,

mu chòcaireachd, caoraich, leabhraichean;

a bheil fios an d’fhuair thu do dhìol

airson do dheataim is spàirn is sgìths?

.

O gun lasainn de dh’aighear annad

na leigeadh leam d’fhaicinn gu slàn,

no chan fhaide thu bhuam nuair a shiùbhlas tu

nab ha thu rim thaobh a-nochd.

 

.     .     .

 

“Lightness”

.

It was your lightness that drew me,

The lightness of your talk and your laughter,

The lightness of your cheek in my hands,

Your sweet gentle modest lightness;

And it is the lightness of your kiss

That is starving my mouth,

And the lightness of your embrace

That will let me go adrift.

 

.     .     .

 

“Aotromachd”

.

B’ e d’ aotromachd a rinn mo thaladh,

Aotromachd do chainnte’s do ghaire,

Aotromachd do lethchinn nam lamhan,

D’ aotromachd lurach ur mhalda;

Agus ‘s e aotromachd do phoige

A tha a’ cur trasg air mo bheoil-sa,

Is ‘s e aotromachd do ghlaic mum chuairt-sa

A leigeas seachad leis an t-sruth mi.

 

.     .     .

 

“O Bonnie Man, Lovely Man”

.

O bonnie man, lovely man,

You’ve brought a song to my lips,

.

A spring of clear gushing water

Spilling over the rocks,

.

Soft grasses and bracken

Covering my slopes with green;

.

Your bed is in cotton-grass

With curlews calling in flight,

.

Maytime’s sweet drizzle

is settling about me,

.

Giving mirth and voice

to my soils long barren,

.

O bonnie man, lovely man,

You’ve brought a song to my lips.

 

.     .     .

 

“Fhir luraich ’s fhir àlainn”

.

Fhir luraich ’s fhir àlainn,

thug thu dàn gu mo bhilean,

.

Tobar uisge ghil chraobhaich

a’ taomadh thar nan creagan,

.

Feur caoin agus raineach

a’ glasadh mo shliosan;

.

Tha do leabaidh sa chanach,

gairm ghuilbneach air iteig.

.

Tha ceòban cùbhraidh na Màighe

a’ teàrnadh mu mo thimcheall,

.

’S e a’ toirt suilt agus gutha

dham fhuinn fada dìomhain,

.

Fhir luraich ’s fhir àlainn,

thug thu dàn gu mo bhilean.

 

 

.     .     .     .     .

All poems © Meg Bateman


Latha Naomh Anndra / Scottish Gaelic poems for Saint Andrew’s Day: Sorley Maclean

.

Sorley Maclean (Somhairle MacGill-Eain)

(Raasay, Scotland, 1911-1996)

“Should I even strip off…”

.

Should I even strip off

My deceit-proof clothing

And go naked and eager

As a blaze of supreme reason,

I’d then reach the core-love

Of my reason for living

And I’d add to your pleasure

The blaze of supreme reason.

 

.     .     .

 

“Ged chuirinn dhiom éideadh”

.

Ged chuirinn dhiom éideadh

Faireachaidh na cluaineis

‘S nam falbhainn 10m gleusta

‘Nam chaoir céille buadhmhoir,

Ruiginn an-sin cré-ghaol

Mo chéille luaidhe

‘S liùbhrainn do t’ éibhneas

Caoir na céille buadhmhoir.

 

.     .     .

 

“Calvary”

.

My eye is not on Calvary

nor on Bethlehem the Blessed,

but on a foul-smelling backland in Glasgow,

where life rots as it grows;

and on a room in Edinburgh,

a room of poverty and pain,

where the diseased infant

writhes and wallows till death.

ZP_Glasgow Street, Toronto, Canada

ZP_Glasgow Street, Toronto, Canada

“Calbharaigh”

.

Chan eil mo shùil air Calbharaigh

no air Betlehem an àigh

ach air cùil ghrod an Glaschu

far bheil an lobhadh fàis,

agus air seòmar an Dùn Èideann,

seòmar bochdainn ’s cràidh,

far a bheil an naoidhean creuchdach

ri aonagraich gu bhàs.

 

.     .     .

 

“The Choice”

.

I walked with my reason

out beside the sea.

We were together but it was

keeping a little distance from me.

.

Then it turned saying:

is it true you heard

that your beautiful white love

is getting married early on Monday?

.

I checked the heart that was rising

in my torn swift breast

and I said: most likely;

why should I lie about it?

.

How should I think that I would grab

the radiant golden star,

that I would catch it and put it

prudently in my pocket?

.

I did not take a cross’s death

in the hard extremity of Spain

and how then should I expect

the one new prize of fate?

.

I followed only a way

that was small, mean, low, dry, lukewarm,

and how then should I meet

the thunderbolt of love?

.

But if I had the choice again

and stood on that headland,

I would leap from heaven or hell

with a whole spirit and heart.

 

.     .     .

 

“An Roghainn”

.

Choisich mi cuide ri mo thuigse

a-muigh ri taobh a’ chuain;

bha sinn còmhla ach bha ise

a’ fuireach tiotan bhuam.

.

An sin thionndaidh i ag ràdha:

a bheil e fìor gun cual’

thu gu bheil do ghaol geal àlainn

a’ pòsadh tràth Diluain?

.

Bhac mi ’n cridhe bha ’g èirigh

’nam bhroilleach reubte luath

is thubhairt mi: tha mi cinnteach;

carson bu bhreug e bhuam?

.

Ciamar a smaoinichinn gun glacainn

an rionnag leugach òir,

gum beirinn oirre ’s gun cuirinn i

gu ciallach ’na mo phòc?

.

Cha d’ ghabh mise bàs croinn-ceusaidh

an èiginn chruaidh na Spàinn

is ciamar sin bhiodh dùil agam

ri aon duais ùir an dàin?

.

Cha do lean mi ach an t-slighe chrìon

bheag ìosal thioram thlàth,

is ciamar sin a choinnichinn

ri beithir-theine ghràidh?

.

Ach nan robh ’n roghainn rithist dhomh

’s mi ’m sheasamh air an àird,

leumainn à neamh no iutharna

le spiorad ’s cridhe slàn.

 

.     .     .     .     .


“In all its breadth and ceaseless treasure”: the Contemporary Gaelic Poem

 

Gaelic-language poems by Lewis MacKinnon:

 

 

Your Speech

 

 

Listening to your speech today;

 

A bag-of-wind speech,

A speech without ceasing,

A speech without shape,

A speech without feeling,

A speech without essence,

A speech without a path,

A speech as crazy as the birds,

A speech that was not heard,

A speech no one noticed,

A speech bawling out in the cold wind,

A speech alone, forgotten,

A speech misunderstood,

A speech calling out for aid,

 

A beautiful, meek, melodious, open speech, without blemish;

 

_____

 

 

A’  Chainnt Agad

 

 

Ag éisdeachd ris a’  chainnt agad

an diugh;

 

Cainnt ghuthmhor

Cainnt gun stad

Cainnt gun chruth

Cainnt gun fhaireachdainn

Cainnt gun bhrìgh

Cainnt gun rathad

Cainnt cho gòrach ri eòin nan speuran

Cainnt nach deach a chluinntinn

Cainnt air nach d’  thug neach-eiginn aire

Cainnt ag éibheachd  ‘san t-soirbheas fhuar

Cainnt  ‘na h-aonar, air a dìochuimhneachadh

Cainnt nach deach a tuigsinn

Cainnt ag gairm oirnn airson cuideachaidh,

 

Cainnt bhriagha, mhacanta, bhinn, fhosgarra, gun smal

 

____

 

 

Institutional Thoughts

 

 

Through the looking glass of faith

and the remains of empires,

and the institutions built by these,

a person arrives at this place in time and being;

 

Where the creed of his belief and the learning of colonizers

influences his every deed;

 

Even when he is sitting in some meeting or other

and struggling in his mind against ideas and words;

 

That someone else is putting forward;

 

Struggling for no real cause whatsoever;

 

But the fear of the loss of control;

 

That lurks under the surface of the legacy,

those institutions left from long ago;

 

_____

 

 

Smuaintean Air Stéidhichidhean

 

 

Troimh ghloine-seallaidh a’  chreideimh agus

fuigheall nan Ìmpireachdan,

is na stéidhichidhean a chaidh a thogail leotha,

ruigidh duin’  an t-àite seo ann an àm agus bith;

 

Far an toir creud a’  chreideis aig’  agus ionnsachadh

a’  luchd-ionnsaidh buaidh do gach

gnìomh a nì e;

 

Fìu  ‘s nuair a tha e  ‘na shuidhe ann an coinneimh air

choireigin

a’  dèanadh strì  ‘na inntinn an aghaidh bheachdan is fhaclan;

 

A tha cuideigin eile a’  cur air adhart;

 

A’  dèanadh strì gun fhìor adhbhar sam bith;

 

Ach eagal call a’  smachd a tha fo uachdar na dìleib,

a dh’  fhàg na stéidhichidhean seo bho chionn fhada;

 

_____

 

 

Facebook and Gaelic

 

 

Writing in an unknown language,

old, shaky, alone,

in order that people will have a mere knowledge of it;

 

I write in this loneliness,

and I often suppose that there isn’t one person

on the surface of the earth,

that is in the same situation as me;

 

But I paused and I thought about the whole thing;

 

And then, it struck me

that Facebook

is kind of like Gaelic;

 

And I decided

that I would offer

Facebook the Gaelic language,

to be a friend to it,

in all its breadth

and ceaseless treasure;

 

And instead of being afraid

of an intrusion in its personal life

I welcome

any and all scrutinizing

that can be done of it

 

And I’ll provide Facebook

its date of birth,

its religious persuasion,

its sexual orientation,

its life history,

its stories,

its music,

its customs,

its expressions,

its hobbies,

its hopes,

its fears,

its musical interests,

where it was raised,

and what it is up to at this very moment

 

_____

 

 

Làrach Nan Ceanglaichean Agus A’  Ghàidhlig

 

 

A’  sgrìobhadh ann an cànain neo-aithnichte

sean, cugallach, aonaranach,

airson  ‘s gum bi beagan eòlais aig daoin’  oirre

 

Is mar a sgrìobhas mi  ‘san aonaranachas seo

gu tric saoilidh mi nach eil aon duin’  eile

air uachdar an t-saoghail

‘san aon suidheachadh  ‘s a tha mise

 

Ach stad mi is smaointich mi

air a’  ghnothach

 

Is a’  sin, bhuail orm

gu bheil Làrach nan Ceanglaichean

car coltach ris a’  Ghàidhlig;

 

Agus chuir mi romham

gun tairginn-sa do Làrach nan Ceanglaichean

a’  Ghàidhlig,

a bhith  ‘na caraid dhi,

‘na farsaingeachd air fad

‘na stóras gun chrìch

 

Agus an àite a bhith fo eagal

air foirneachd a beatha phearsanta

cuiridh mi fàilte air

sgrùdadh sam bith a théid a dhèanadh oirre

 

Agus bheir mi

ceann-là a breith,

a creideamh gneitheach,

a gné,

eachdraidh a beatha,

a sgeulachdan,

a h-òrain,

a ceòl,

a cleachdaidhean,

a gnàthsan-chainnt,

na cur-seachadan aice,

a dòchasan,

a h-eagail,

a sùim ciùil,

far an deach a togail,

is gu dé tha i ris an dràsda-fhéin

 

_____

 

 

A Fart

 

 

Now drawing the last gasp

and dying;

 

Free, unfettered, finally;

 

From the beliefs of people

who think that you died,

long ago;

 

But surprisingly,

you are still kicking in the hidden coffin,

with very little of your ancient little-known breath remaining;

 

And similar to a fart that is made someplace,

that is too confining,

and the smell wafts about choking everyone that is there,

and making them uncomfortable with shame,

 

You keep unexpectedly appearing;

 

And there are still those,

that are going around,

with their hands

tightly gripped on their noses;

 

Afraid of these little wiffs

that disperse;

 

You know that attitude you get

and how it’s shouted out, “Who did that anyway?”

 

And despite an immeasurable lack of attention,

you continue to fall out,

just like that fart,

that comes without welcome, without warning

 

_____

 

 

Braoim

 

 

A-nist a’  tarraing na h-uspaig mu dheireadh

is ag eugachdainn;

 

Saor, gun bhannan mu dheireadh thall;

 

O bheachdan dhaoine

a tha  ‘smaoineachadh gun do dh’  eug thu,

o chionn iomadach bliadhna;

 

Ach gu h-iongantach,

tha thu fhathast air crith  ‘sa’  chistidh fhalaichte seo,

le glé bheag dhen anail aosda neo-aithnicht’ agad air fhàgail,

 

Is mar bhraoim a chaidh a dhèanadh an àiteigin

a bha tuilleadh  ‘s seasgair,

is a’  fàileadh a’  flodradh mun cuairt

a’  tachdadh a h-uile duin’  ann,

is  ‘gan dèanadh mì-chomhfhurtail,

fo nàire;

 

Tha thu an còmhnaidh gun fhios a’  nochdadh;

 

Agus tha feadhainn ann,

a tha  ‘dol air adhart fhathast,

leis na làmhan aca,

le fìor ghréim air an sròin;

 

Fo eagal nan oiteagan beaga seo,

a théid an sgapadh;

 

Fhios agad a’  freagairt a gheobh thu,

“Có rinn sin co-dhiubh?”

 

Agus a dh’  aindeoin cion-aire gun mheud,

théid agad air tuiteam a-mach,

dìreach mar a thuiteas am braoim ud,

a thig gun fhàilte, gun rabhadh

 

_____

 

 

Limited Pieces

 

 

I would like to meet with you again

one day,

where there is nothing between us,

but the awareness of one another;

 

Far away from the field of memory,

where there aren’t,

 

Memories

Experiences

Beliefs

Judgements

Pre-meditations

Or feelings

 

And there we can meet again

 

Since I would like to give, the pieces of you,

that do not completely constitute any of those above,

that I have been keeping so close to me,

for so long,

back to you

 

_____

 

 

Criomagan Beaga

 

 

Bu mhath leam coinneachadh riut

là air choireigin,

far nach eil sion sam bith ann eadarainn,

ach an t-eòlas air ré an duin’  eile;

 

Fad air falbh o’  phàirc a’  chuimhne

far nach eil

 

Cuimhnichean

Féin-fhiosrachaidhean

Creideamhan

Breitheanais

Beachdan a bh’  ann roimhe

No faireachdainnean

 

Is a’  sin faodaidh sinn coinneachadh a-rithist

 

A chionn  ‘s bu mhath leam na criomagan dhìot

nach dèan suas gu h-iomlan gin dhen fheadhainn gu h-àrd,

a tha mi  ‘gléidheadh cho dlùth dhomh,

fad an t-saoghail,

a thoirt air ais dhut

 

_____

 

 

Innards

 

 

I dug you out from the shape of your human body

And I looked at you sincerely;

 

To see if I could find

Out what was bothering you;

 

You, lamenting the deeds that you committed

And all your passions

With the hope that you would have another chance

To go back

And put things right;

 

In order to get some relief

You permitted me to search your insides;

 

You never uttered a word

When I went in

At ease, peaceful

Somehow content

That you were finally

Getting some attention

For the painful burden you

Were carrying;

 

And in I went

And I started

And God all mighty If I am not still there

Lost in your complexity;

 

 

Mionach

 

 

Chladhaich mi thu a-mach á cruth daonna na bothaig agad

Agus choimhead mi ort gu fìrinneach

 

Fiach a gheobhainn a-mach

Gu dé bha  ‘cur ort

 

Thusa  ‘caoineadh nan gnìomhan a rinn thu

Is na mianntan uile agad

Leis an dòchas gum biodh seans’  eile agad

A dhol air ais

A chur rudan ceart

 

Gus faothachadh  ‘fhaighinn

Leig thu dhomh lorg  ‘nad bhroinn

 

Cha d’  thuirt thu guth

Nuair a chaidh mi a-staigh

Socair, ciùin,

Is leig thu dhomh do mhionach a bhuntainn

 

Dòigh air choireiginn

Toilichte

Gu robh thu mu dheireadh thall

A’  faighinn air’  air an uallach phianail

A bha thu air giùlain

 

Chaidh mi a-staigh

Is thòisich mi

Is a Dhia nan gràsan nach eil mi fhathast ann

Air chall  ‘san iom-fhillteachd agad

 

 

_____*_____*_____

 

 

Lewis MacKinnon (Lodaidh Macfhionghain) was born in 1970

in Inverness, Cape Breton, Nova Scotia, Canada.

Son of a Gaelic-speaking father and a French-Acadian mother, he is

an accomplished singer/songwriter as well as a poet.

His poems featured here were composed in Gaelic – using Nova Scotian

Gaelic’s spelling and punctuation, not Scottish Gaelic’s – then translated /

interpreted into English by the author himself.

Two of the poems, “Limited Pieces” and “Innards”, are exquisite in their

subtle intensity and candour – among the best love poems by any

Canadian poet.

MacKinnon’s 2008 book of poems, Giant and other Gaelic Poems /

Famhair agus dàin Ghàidhlig eile, includes 89 poems in Gaelic

with English versions.


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